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Join us for a concert of music generated by Artificial Intelligence!
Artificial Intelligence in Music research is a new step in algorithmic and generative music that started in the 1950s with a Computer Assisted Composition tools. This ongoing project is supervised by Eldad Tsabary, Sabine Bergler and Yong Zeng. The main research assistant for the project, and composer, is Philon Nguyen. The concert (perhaps the word public recording would be more exact) will take place on November 23rd from 19-20h at the Concordia’s Black Box (1515 St. Catherine W. Room OS3-845).
The public recording “Artificial Intelligence and Music” was made possible through a grant by the Gina-Cody School of Engineering and the Milieux Institute. The concert addresses the question: What can AI-generated music look like?
Following the concert, an analysis of the recording and the musicians’ experience of performing AI composition will lead to a paper on natural and unnatural renderings of New Music. Learn more about this project in this article.
String Quartet No. 1: A Study in Deconstruction
Andara Quartet
Violon/Violin: Jeanne Côté
Violon/Violin: Marie-Claire Vaillancourt
Alto/Viola: Vincent Delorme
Violoncelle/Cello: Émilie Girard-Charest
Variations on a Theme by Handel
Flûte/Flute: Nadia Sparrow
Clarinette/Clarinet: Rébecca Gagnon
Piano: Gabrielle Gagnon-Picard
Violon/Violin: Jeanne Côté
Morphogenesis: Hommage to Gilles Deleuze
Flûte/Flute: Nadia Sparrow Clarinette
Basse/Bass Clarinet: Rébecca Gagnon
Trombone/Trombone: Simon Jolicoeur-Côté
Piano: Gabrielle Gagnon-Picard
Violon/Violin: Marie-Claire Vaillancourt
Violoncelle/Cello: Émilie Girard-Charest
Chercheurs principaux/Principal Investigators:
Dr Eldad Tsabary,
Dre Sabine Bergler
Dr Yong Zeng
Ingénieur vidéo/video engineer: Malte Leander
Ingénieur de son/sound engineer: Maximus Delmar
Chef d’orchestre/conductor: Charles-Eric Fontaine
Compositeur/composer: Dr. Philon Nguyen