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On April 25th, Post Image presents visual and media artist Caroline Monnet in the last installment of Moving the Landscape to Find Ground. This series is built from a shared ambition to break open lens-based practices via the interrogation of the colonial prism through which photography exists. We are inviting conversation among all communities impacted by the colonial gaze.
After the talk we will have a closing reception with refreshments!
When? April 25th at 4PM
Where? Milieux Resource Room, Concordia University (EV. 11705)
Caroline Monnet (Anishinaabe/French) is a multidisciplinary artist from Outaouais, Quebec. She studied Sociology and Communication at the University of Ottawa (Canada) and the University of Granada (Spain) before pursuing a career in visual arts and film. Her work has been programmed internationally at the Whitney Biennial (NYC), Toronto Biennale of Art, KØS museum (Copenhagen), Museum of Contemporary Art (Montréal), the National Art Gallery (Ottawa). Solo exhibitions include Montreal Museum of Fine Arts, Schirn Kunsthalle Frankfurt, Arsenal Contemporary (NYC) and Centre d’art international de Vassivière (France). Her films have been programmed at film festivals such as TIFF, Sundance, Aesthetica (UK), Palm Springs and Cannes. In 2016, she was selected for the Cinéfondation residency in Paris. Her work is included in numerous collections in North America as well as the permanent UNESCO collection in Paris. Monnet is recipient of the 2020 Pierre-Ayot award, the 2020 Sobey Art Award, the Merata Mita Fellowship, and the REVEAL Indigenous Art Awards. She is based in Montreal and represented by Blouin-Division Gallery.
Monnet uses visual and media arts to demonstrate a keen interest in communicating complex ideas around Indigenous identity and bicultural living through the examination of cultural histories. Her work grapples with colonialism’s impact, updating outdated systems with indigenous methodologies. Monnet has made a signature for working with industrial materials, combining the vocabulary of popular and traditional visual-cultures with the tropes of modernist abstraction to create unique hybrid forms. Monnet is always in the stage of experimentation and invention, both for herself and for the work.