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DTSTART;TZID=America/Toronto:20260508T160000
DTEND;TZID=America/Toronto:20260508T190000
DTSTAMP:20260610T103643
CREATED:20260428T195650Z
LAST-MODIFIED:20260428T195650Z
UID:10001298-1778256000-1778266800@milieux.concordia.ca
SUMMARY:Environmental Materials and/as Methods: Closing Remarks
DESCRIPTION:Together with the Speculative Life Research Cluster\, the Hexagram Chantier Ecotechnologies warmly invites you to join us for the closing remarks of the knowledge mobilization series Environmental Materials and/as Methods. \nThis series has brought together diverse research platforms—the Concordia University Ethnography Lab\, Machine Agencies\, the Critical Anthropocene Research Group\, and the Speculative Life Biolab—to explore shared questions around material practices\, environmental inquiry\, and interdisciplinary collaboration. As the series comes to a close\, we invite you to take part in a moment of reflection\, exchange\, and celebration of the vibrant research cultures that make up our community. \nThe closing remarks will also highlight the work of the Chantier Ecotechnologies\, a group of seven interdisciplinary artists\, writers\, and researchers currently engaged in a collaboration with the Chaire de recherche municipale pour les villes durables of the Université du Québec à Trois-Rivières (UQTR) and SYMBIOSE — Laboratoire intersectoriel en art\, technologie et environnement (UQTR). \nTheir research focuses on ecotechnological approaches that mobilize academic\, industrial\, and municipal communities around pressing environmental challenges facing the Beaudet Reservoir in Victoriaville\, including sediment accumulation and valorization\, and the long-term impacts on access to drinking water. \nPlease join us to learn more about their research outcomes and to conclude this series together. \n  \n                   
URL:https://milieux.concordia.ca/event/environmental-materials-and-as-methods-closing-remarks/
LOCATION:Speculative Life Research Cluster  EV 10.625
CATEGORIES:Conversation
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20260506T161500
DTEND;TZID=America/Toronto:20260506T171500
DTSTAMP:20260610T103643
CREATED:20260417T075443Z
LAST-MODIFIED:20260505T160929Z
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SUMMARY:What goes on in the kitchen of creative AI?: A conversation
DESCRIPTION:How does one cook an AI? \nWhat happens in the kitchen when one is preparing ingredients for different kinds of agencies? \nWhat does it mean to move beyond instrumentalism; and what does an interaction look like when its design comes from a place of joy\, curiosity\, and experimentation? \nWe invite the Montreal community of creatives and thinkers who are interested in questions of machine agency\, design process\, and interactivity to join in on this event where they can share the details and experiences of working with machines—in their wonky\, restless\, and still delicious encounters. \nThis event is presented as part of Hexagram Network’s 2026 Interdisciplinary Encounters. \n  \nSchedule:\n2 PM (CANCELLED): The first part takes inspiration from MFK Fisher’s The Art of Eating to explore how cooking with machines engenders life worlds with heterogeneous agencies and sociability. \n  \n4:15 PM: The second part will be a Keynote presentation by Montreal-based artist Erin Gee. \nDrawing on Claude Lévi-Strauss’ notion of the “raw” and the “cooked\,” and its feminist reinterpretation in sound studies by Jonathan Sterne and Tara Rodgers\, Gee examines AI through a sonic lens to argue that when real-world phenomena are recorded as sound or data\, they are never captured in a “raw” state. Grounded in her work on the documentation of musical biofeedback systems\, the talk explores how processes of capture\, selection\, and transformation shape what can be heard and what can be known through technology. She contrasts musical AI systems\, which tend to obscure or abstract these operations\, with classic biofeedback practices that foregrounded them—revealing how different technologies organize\, conceal\, or expose their own forms of “cooking.” \n  \nAfter the Event: \nPlease join us at 5:30 p.m. for the official launch event of the Interdisciplinary Encounters.
URL:https://milieux.concordia.ca/event/what-goes-on-in-the-kitchen-of-creative-ai-a-conversation/
LOCATION:Milieux Resource Room EV 11.705
CATEGORIES:Conversation
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260414
DTEND;VALUE=DATE:20260415
DTSTAMP:20260610T103643
CREATED:20260324T150915Z
LAST-MODIFIED:20260325T132218Z
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SUMMARY:JenniCam@30: Thirty years of live streaming cultures
DESCRIPTION:April 14th\, 2026\, will mark 30 years since Jennifer Ringley\, then a college student\, mounted a digital camera on top of her computer in her dorm room and began streaming online. Ringley’s webcam\, known as JenniCam\, transmitted nearly uninterrupted for seven years\, becoming the most enduring webcam performance of the early Internet. Despite not being recognized as a pioneer during her time\, Jennifer Ringley made Internet history by pioneering live self-streaming. \nThirty years later\, we will commemorate JenniCam’s anniversary with a day-long event about and through live streaming practices. \n  \nProgram:\nJenniCam in Context\n⏱️ 10:30 AM (doors open at 10:15 AM) \n📍 4TH SPACE \nKeynote lecture by Susanna Paasonen (online)\, plus an in-situ conversation. \n  \nPresentations and in-situ conversations at Speculative Life Cluster\n⏱️ 1 PM \n📍 Speculative Life Cluster (EV 10.625) \nA pop-up live TV studio transmission hosted in collaboration with the Institute of Network Cultures. \nPresentations and in-situ conversations include: Tommaso Campagna on live streaming as a form of publishing (TheVoid.TV); Geert Lovink on the lives of the online self (online); Seska Lee on camming and the construction of liveness; Lotte de Jong on webcam and art (online). There will also be interventions on moderation and monetization strategies\, as well as live and not-so-live performances of live coding\, object theatre\, and music. \n  \nSnacks and beverages will be provided at both locations.  \n  \n🌐 Further details and online transmissions at: Jennicam-at-30.com
URL:https://milieux.concordia.ca/event/jennicam30-thirty-years-of-live-streaming-cultures/
LOCATION:Speculative Life Research Cluster  EV 10.625
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2026/03/banner_milieux.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20260226T180000
DTEND;TZID=America/Toronto:20260226T190000
DTSTAMP:20260610T103643
CREATED:20260205T153147Z
LAST-MODIFIED:20260205T153147Z
UID:10001264-1772128800-1772132400@milieux.concordia.ca
SUMMARY:Redefining Digital Inclusion from Peru to the World
DESCRIPTION:We’re excited to announce an upcoming talk from a newcomer to the Abundant Intelligences network! \nMathias Becerra Sanchez is a student from Peru currently pursuing a major in Symbolic Systems in the Concentration of Human-Centered AI and Human-Computer Interaction at Stanford University. His work focuses on using technology to empower Indigenous and other digitally disadvantaged languages both in Peru and Latin America. In this talk\, he’ll be presenting his research on STEM education\, linguistics\, and policy in globally disadvantaged language communities. \nThis presentation will be moderated by Hanss Lujan Torres\, Research Coordinator at the Indigenous Futures Research Centre (IFRC). Hanss is a writer\, curator\, and researcher from Cusco\, Peru\, whose work focuses on collective time-making\, alternative understandings of time\, and dissident futures. \n  \nThis event is fully virtual\, please register here \n  \n February 26\, 2026 \n 6-7 PM \nOnline \n 
URL:https://milieux.concordia.ca/event/redefining-digital-inclusion-from-peru-to-the-world/
LOCATION:Online
CATEGORIES:Conversation
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20251031T123000
DTEND;TZID=America/Toronto:20251031T123000
DTSTAMP:20260610T103643
CREATED:20251021T160259Z
LAST-MODIFIED:20251021T160259Z
UID:10001247-1761913800-1761913800@milieux.concordia.ca
SUMMARY:IFRC Research Bites: Research Horror Stories
DESCRIPTION:Join IFRC for the Halloween edition of Research Bites! \nResearch can be scary sometimes. From the nerve-wracking moment of submitting your thesis\, to late night citation nightmares\, to the haunting feeling of discovering a missing source right before a deadline.\nBring your lunch to the IFRC HQ and join us for a lighthearted discussion about research. \nThis informal lunchtime event is your chance to share your own spooky tales from the trenches of academia. \nWe’ll provide Halloween candy to sweeten the mood! \n  \n🗓 October  31\, 2025\n🕒 12:30 PM\n📍IFRC HQ EV 10.705
URL:https://milieux.concordia.ca/event/ifrc-research-bites-research-horror-stories/
LOCATION:IFRC HQ EV 10.705
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2025/10/Untitled-44.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20251027T180000
DTEND;TZID=America/Toronto:20251027T180000
DTSTAMP:20260610T103643
CREATED:20251016T185129Z
LAST-MODIFIED:20251016T185147Z
UID:10001246-1761588000-1761588000@milieux.concordia.ca
SUMMARY:A Glitch: House9 x Dark Opacities Lab in Conversation
DESCRIPTION:Join Post Image cluster for a discussion between Farah Khan\, Balbir K. Singh moderated by Kevin Yuen Kit Lo . This event will explore the tension\, challenge\, and possibilities of considering opacity as a framework in which to devise and create a research lab. As a portal to the lab\, House9 created such a site for Dark Opacities Lab at Concordia University\, with the demands of considering what opacity could look like\, and where that overlaps with the concept of a glitch. In addition\, they will speak to the work of design and justice-centered projects in building solidarity and networks for communities of colour\, especially at a time of intensifying crises locally and globally. \nEvent starts at 6 PM but doors open at 5:30 PM. Light snacks and beverages will be served. \n  \n🗓 October  27\, 2025\n🕒 6 PM\n📍EV 11.705 \n  \n 
URL:https://milieux.concordia.ca/event/a-glitch-house9-x-dark-opacities-lab-in-conversation/
LOCATION:Milieux Resource Room EV 11.705
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/png:https://milieux.concordia.ca/wp-content/uploads/2025/10/Untitled-5.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20251002T160000
DTEND;TZID=America/Toronto:20251002T170000
DTSTAMP:20260610T103643
CREATED:20250327T163337Z
LAST-MODIFIED:20250930T133557Z
UID:10001199-1759420800-1759424400@milieux.concordia.ca
SUMMARY:An Esoteric TTRPG History With Leonardo Abate\, Michael Iantorno\, and Marc Lajeunesse
DESCRIPTION:Join Leonardo Abate\, Michael Iantorno\, and Marc Lajeunesse for a discussion about tabletop roleplaying games. \nWe’ll look at exciting moments in the development of TTRPGs across time and place. Starting with a general overview of how TTRPGs developed in America\, we’ll venture across the sea to look at the beautiful TTRPG coastline of Italy where in the 80s and 90s small but imaginative subcultures of TTRPG gaming developed independently\, with games that were never translated to English. We’ll also discuss the development of the Open Gaming License and how it spawned subcultures of homebrew practices. \n  \n🗓 October 2\, 2025 \n⏱️ 4 – 5 PM \n📍TAG Lab EV 11.435
URL:https://milieux.concordia.ca/event/an-esoteric-ttrpg-history-with-leonardo-abate-michael-iantorno-and-marc-lajeunesse/
LOCATION:TAG Lab (EV 11.435)
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2025/03/Untitled-21.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250925T140000
DTEND;TZID=America/Toronto:20250925T160000
DTSTAMP:20260610T103643
CREATED:20250915T154855Z
LAST-MODIFIED:20250915T154855Z
UID:10001228-1758808800-1758816000@milieux.concordia.ca
SUMMARY:Arts Pessimism and the Role of Dance in Time of Crisis
DESCRIPTION:Join us for a conversation investigating the potential of choreographic thinking for an understanding of systems of relations. Dr. Susan Leigh Foster\, Dr. André Lepecki\, Dr. Erin Manning\, Dr. Jens R. Giersdorf\, Lilia Mestre\, and Dr. Angélique Willkie will discuss how dance and choreography can function as mediating forces within social and political structures. \n  \nABOUT THE SPEAKERS: \n  \nDr. Susan Leigh Foster\, choreographer and scholar\, is Distinguished Professor in the Department of World Arts and Cultures/Dance at UCLA. She is author of Reading Dancing\, Choreographing Narrative\, Dances that Describe Themselves\, Choreographing Empathy\, and\, most recently\, Valuing Dance: Commodities and Gifts in Motion. Three of her danced lectures can be found at the Pew Center for Arts and Heritage website. \n  \n  \n  \n  \n  \nDr. André Lepecki works and researches at the intersection of critical dance studies\, curatorial practice\, performance theory\, contemporary dance and visual arts performance. Selected curatorial work includes Chief Curator of the festival IN TRANSIT (2008 and 2009 editions) at Haus der Kulturen der Welt\, Berlin. Co-curator of the archive Dance and Visual Arts since 1960s for the exhibition MOVE: choreographing you\, Hayward Gallery (2010). Curator of the lecture series Points of Convergence: performance and visual arts (2014) and Off-Hinge Off Center: alternative histories of performance\, for the Museum of Modern Art of Warsaw (2014 and 2015). Also for MoMA-Warsaw he curated the series Performance in the Museum (2015). He also curated the project “The Future of Disappearance” for Sydney Biennial 2016\, and co-curated with Adrian Heathfield the symposium Afterlives of Performance\, at FiAFF and MoMA 2015. \nIn 2008 he received the AICA Award for Best Performance as co-curator and director of the authorized re-doing of Allan Kaprow’s 18 Happenings in 6 Parts (commissioned by Haus der Kunst\, Munich 2006; presented at Performa 07). \nSelected lectures include Museo Reina Sofia\, MoMA-NY\, Museu de Arte Moderna\, Rio\, MACBA\, Para Site\, Hong Kong\, Haus der Kulturen der Welt\, Berlin\, WIELS\, The Gauss Seminars at Princeton University\, Freie Universität\, Berlin\, Brown University\, UC-Berkeley\, Federal University of Rio de Janeiro\, École Superiore des Hautes Études en Sciences Sociales\, Paris. In 2009 he was Resident Fellow at Institute Interweaving Performance Cultures at Freie Universität\, Berlin. In 2015 he was Artistic Professor at Stockholm University of the Arts\, where he helped develop the research profile area on Concept and Composition. \nHe is the editor of the anthologies Points of Convergence: alternative views on performance (MoMA-Warsaw and Chicago Univ. Press 2016\, with Marta Dziewanska)\, Dance (Whitechapel\, 2012)\, Planes of Composition: dance\, theory and the global (Seagull press\, 2009\, with Jenn Joy)\, The Senses in Performance (Routledge 2007\, with Sally Banes)\, and Of the Presence of the Body (Wesleyan University Press\, 2004). His single authored books are Exhausting Dance: performance and the politics of movement (Routledge 2006)\, currently translated in 13 languages\, and Singularities: dance in the age of performance (Routledge 2016). \n  \nDr. Erin Manning studies in the interstices of philosophy\, aesthetics and politics\, concerned\, always\, about alter-pedagogical and alter-economic practices. Pedagogical experiments are central to her work\, some of which occur at Concordia University in Montreal where she is a research chair in Speculative Pragmatism\, Art and Pedagogy in the Faculty of Fine Arts. Recent monographs include The Minor Gesture (Duke 2016)\, For a Pragmatics of the Useless (2020) and Out of the Clear (forthcoming\, minor compositions). Her artwork is textile-based and relationally-oriented\, often participatory. She is interested in the detail of material complexity\, in what reveals itself to perception sideways\, in the quality of a textural engagement with life. Her work often plays synesthetically with touch\, of recent in acknowledgement and experimentation with the ProTactile movement for DeafBlind culture and language. Tactile propositions include large-scale hangings produced with a diversity of tools including tufting\, hooking\, knotting\, weaving. 3e is the main direction her current research takes – an exploration of the transversality of the three ecologies\, the social\, the environmental and the conceptual (3ecologies.org). An iteration of 3e is a land-based project north of Montreal where living and learning is experimented. Legacies of SenseLab infuse the project\, particularly the question of how collectivity is crafted in a more-than human encounter with worlds in the making. \n  \nABOUT THE MODERATORS: \n  \nDr. Jens Richard Giersdorf is an international dance scholar whose research focuses on choreographies of politics in a global context as well as epistemological concerns in dance studies. He received a Magister Theater\, Dance and Music Theater Studies from the University of Leipzig\, Germany\, and a Ph.D. in Dance History and Theory from the University of California\, Riverside\, USA. He taught at the University of Surrey\, UK\, Marymount Manhattan College\, and the University of California\, Riverside\, both USA. His writing has been published in a number of peer-reviewed journals as well as translated and anthologized internationally. Giersdorf is regularly invited by key national and international institutions to speak on his work. His monograph The Body of the People: East Germany Dance since 1945 (University of Wisconsin Press\, 2013) is the first study on dance in East Germany\, it was named “Outstanding Academic Title” for 2013 by Choice magazine. The German translation Volkseigene Körper: Ostdeutscher Tanz seit 1945 (transcript Verlag\, 2014) was supported by the Swedish Lilian Karina Foundation. Giersdorf edited Choreographies of 21st Century Wars (Oxford Studies in Dance Theory Series\, Oxford University Press\, 2016) in co-authorship with Gay Morris and the third edition of the Routledge Dance Studies Reader (2019) with Yutian Wong. In his professional affiliations\, Giersdorf is a member of Dance Studies Association\, where he also served as the Vice President for Publication and Research and the International Federation of Theater Research. \n  \nLília Mestre (she\, her) is a performing artist\, dramaturge and researcher working in collaborative formats mainly in the fields of contemporary dance and choreography. She is interested in forms of organisation created by and for artistic practice as alternative study processes for social-political reflection. She has been working on the concept of ‘artificial friendship’ which has been the source for the creation of methodological structures (scores) for exchange and collaboration in artistic research settings\, which have been documented in various publications. She was artistic coordinator of a.pass (Advanced Performance and Scenography Studies) in Brussels and is currently Assistant Professor at the Department of Contemporary Dance and Co-director of the Performing Arts Research Cluster (LePARC) within the MILIEUX Institute for Arts Culture and Technology at Concordia University. Tiohtià:ke/Montreal. She was granted the The Petro-Canada Young Innovator Award 2023 for her research on expanded choreography “Through Materialities\, Movement and Description”. \n  \nA multidisciplinary artist\, Angélique Willkie began her dance training after completing a Master’s degree in Economics at McGill University. A graduate of The School of Toronto Dance Theatre\, she subsequently pursued a career in Europe where\, over 25 years\, she performed with dance companies and independent projects throughout Europe\, most notably Alain Platel/Les Ballets C. de la B.\, Jan Lauwers/Needcompany\, Sidi LarbiCherkaoui\, Helena Waldmann and as a singer with the Belgian world-music group Zap Mama\, bands Arno\, dEUS\, 7Dub\, DAAU\, Ez3kiel\, and Zita Swoon Group\, with jazz vocalist David Linx and contemporary composers Walter Hus\, Kaat De Windt and Fabrizio Cassol. \nPerformer\, singer\, dramaturge and pedagogue\, Angélique has been among the more sought-after contemporary technique teachers on the European professional circuit\, teaching companies\, schools and festivals including ImpulsTanz (Vienna)\, Henny Jurriens Stichting(Amsterdam)\, SEAD (Salzburg)\, Wim Vandekeybus/Ultima Vez (Brussels)\,Circuit-Est centre chorégraphique (Montreal) among others. \nSince resettling in Montreal in 2014\, Angélique has continued to be active in Montreal’s professional community as teacher\, creator and dramaturge. Her current research interests have three main axes: approaches to interdisciplinary artistic creation (i.e. that sits“between” disciplinary boundaries); European circus aesthetics and dramaturgy; and the notion of a personal dramaturgy\, inspired by the trajectories of performer Josephine Baker and French transgender circus artist Phia Ménard. An underlying interest in her work remains the use of the voice as a creative tool and performance instrument. \n  \n🗓 September  25\, 2025\n🕒 2-4 PM\n📍4TH SPACE \n🔗 Join this event online.
URL:https://milieux.concordia.ca/event/arts-pessimism-and-the-role-of-dance-in-time-of-crisis/
LOCATION:4th Space
CATEGORIES:Conversation
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250703T180000
DTEND;TZID=America/Toronto:20250703T180000
DTSTAMP:20260610T103643
CREATED:20250623T144914Z
LAST-MODIFIED:20250623T144914Z
UID:10001211-1751565600-1751565600@milieux.concordia.ca
SUMMARY:In Conversation: Nadia Myre and Skawennati
DESCRIPTION:Join IFRC for a special artist talk featuring artists Skawennati and Nadia Myre\, two leading figures in contemporary Indigenous art in Canada. This event celebrates their landmark solo exhibitions currently on view at the National Gallery of Canada: Welcome to the Dreamhouse and Waves of Want. These exhibitions offer a rich look at each artist’s evolving practice and their influential contributions to Indigenous visual culture\, digital media\, and storytelling. \nModerated by artists and Studio Arts Professor\, Hannah Claus\, this conversation will bring the two artists in dialogue\, offering insights into their respective creative journeys\, conceptual frameworks\, and shared commitments to community\, memory\, and futurity. \nABOUT THE EXHIBITIONS: \nWelcome to the Dreamhouse tells the story of Skawennati’s dynamic artistic trajectory as she envisions Indigenous people in the future. Rooted in Haudenosaunee storytelling\, her avatars\, costumes\, machinimas and prints playfully imagine and create a place where Indigenous people thrive. \nWaves of Want looks at Nadia Myre’s artistic and critical process over the past two decades\, including exciting new works recently created in France. Navigating complex histories of nationhood and memory\, her work fosters profound dialogues on collective identity\, resilience\, and the politics of belonging. \n  \nABOUT THE SPEAKERS: \nSkawennati creates art from her perspective as an urban Kanien’kehá:ka woman\, and as a cyberpunk avatar. Her machinimas and machinimagraphs (movies and still images made in virtual environments)\, textiles and sculpture question our relationships with technology\, and highlight Indigenous people of the future. Recipient of a 2022 Hewlett 50 Arts Commissions Grant and an Honorary Doctorate from the Minneapolis College of Art and Design\, Skawennati co-directs Aboriginal Territories in Cyberspace (AbTeC)\, a research-creation studio-lab at Concordia University in Montreal. She is also on the boards of Rhizome\, and of daphne: Montreal’s first Indigenous artist-run centre\, which she-co-founded. Originally from Kahnawà:ke\, Skawennati resides in Montreal. \n  \nContemporary artist Nadia Myre is an Algonquin member of the Kitigan Zibi Anishinabeg First Nation\, who lives and works in Montreal. For more than two decades\, her multi-disciplinary practice has included stitchwork\, photography\, video\, sculpture\, textiles and installation – inspired by community participation and relations\, while also exploring themes such as resilience\, language\, memory and longing. Myre’s art examines what is misunderstood\, unseen\, or lost in transformation and translation\, and reflects shared experiences of nationhood\, belonging\, and isolation. \n  \nHannah Claus is a transdisciplinary artist of Kanien’kehá:ka / English heritage who engages Onkwehon:we epistemology to highlight ways of understanding and being in relation with the world. A 2019 Eiteljorg Fellow and 2020 recipient of the Prix Giverny\, recent group exhibitions include: Wheturangitia at The Dowse\, in Aotearoa\, the touring exhibition Radical Stitch at the McKenzie Art Gallery in Regina\, and Plastic Heart at the University of Toronto Art Gallery and the Centre Culturelle Canadien in Paris\, France. She is an Associate Professor\, Frameworks and Interventions of Indigenous Art Practice in the Department of Studio Arts at Concordia University\, and Research Chair\, Onkwehonwené:ha. She is a member of Kenhtèke. \n  \n  \n🗓: July 3\, 2025\n🕒: 6 PM\n📍: York Amphitheâtre EV-1.615 \n🔗 : Zoom link
URL:https://milieux.concordia.ca/event/in-conversation-nadia-myre-and-skawennati/
LOCATION:York Amphitheatre EV-1.615
CATEGORIES:Conversation
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250430T180000
DTEND;TZID=America/Toronto:20250430T180000
DTSTAMP:20260610T103643
CREATED:20250415T191829Z
LAST-MODIFIED:20250423T172839Z
UID:10001205-1746036000-1746036000@milieux.concordia.ca
SUMMARY:Chronicle of a Summer\, Screening and Discussion
DESCRIPTION:After 2.5 years of enriching and insightful conversations around ethnography and film\, mark your calendars for the last Ethnography Lab Film Night hosted by the wonderful Maya 😢 \nFor the occasion\, the Concordia Ethnography Lab is excited to partner up with Cinéma Public to screen the audacious and touching film Chronicle of a Summer. The film is a vanguard work of cinéma-vérité (cinéma of truth)\, term coined to refer to both the philosophical and ethnographic inquiries of filmmakers like Jean Rouch and Edgar Morin. The screening will be followed by a discussion on Cinéma-vérité and Cinéma-direct with Maya Lamothe-Katrapani of the Ethnography Lab and Richard Brouillette\, film producer\, director\, editor and programmer. Tw o other screenings are scheduled on May 4th and May 12th\, but the discussion will only be on April 30th. \n  \nABOUT THE FILM: \nChronicle of a Summer\, 1961 (86 min) \nIn the summer of 1960\, anthropologist filmmaker Jean Rouch and sociologist Edgar Morin set out to chronicle the everyday lives of Parisians using a mixture of intimate interviews\, debates and observations. Beginning with the provocative and eternal question “Are you happy?” and expanding to political issues\, including the ongoing Algerian War\, artists\, factory workers\, office employees\, students and others open up to the camera to share their experiences\, fears and aspirations. The result became one of the decade’s most influential films\, and redefined the documentary form. \n  \n \n\n🗓 April 30\, 2025 ⏱️ 6 PM\nThis session will be followed by a discussion between Maya and Richard Brouillette\n\n🗓 May 4\, 2025 ⏱️ 8 PM\n🗓 May 12\, 2025 ⏱️ 6 PM\n\n📍Cinema Public\, Casa d’Italia\, 505 Jean Talon E (via Berri)\n\n🎟️  Purchase your ticket here\n\n.\nThis screening received generous support from the Concordia Council on Student Life\n\n.
URL:https://milieux.concordia.ca/event/chronicle-of-a-summer-screening-and-discussion/
LOCATION:Cinema Public\, Casa d’Italia
CATEGORIES:Conversation,Screening
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250417T173000
DTEND;TZID=America/Toronto:20250417T190000
DTSTAMP:20260610T103643
CREATED:20250404T144330Z
LAST-MODIFIED:20250404T144330Z
UID:10001203-1744911000-1744916400@milieux.concordia.ca
SUMMARY:Epistemological Foundations Conversation 07
DESCRIPTION:Epistemological Foundations returns to continue the conversation around Data Sovereignty and AI. EF07 will bring together Ashley Cordes\, Peter-Lucas Jones and Keolu Fox to reflect on their to reflect on their approaches to creating knowledge at this intersection. \nThe Epistemological Foundations Conversations feature members of the Abundant Intelligences research team sharing how the knowledge frameworks in their field are constructed\, validated\, and employed. This session will provide an opportunity to dive deeper into what it means to bring together Data Sovereignty and AI. \nThis will be a hybrid event. \nABOUT THE SPEAKERS: \nAshley Cordes is an Assistant Professor of Indigenous Studies at the University of Oregon and an American Council of Learned Societies Fellow. Her research lies at the intersection of Indigenous media\, critical/cultural studies\, environmental storytelling\, and community-based projects. Her recent work in these areas has been published in journals such as Cultural Studies ↔ Critical Methodologies\, Journal of International and Intercultural Communication\, and Feminist Media Studies. Her current book project\, From the Gold Rush to Code Rush: Communication of Alternative and Digital Currency in Indigenous Communities is under advance contract with MIT Press. Ashley is an enrolled citizen and Chair of the Culture and Education Committee of the Kōkwel/Coquille Nation. \n  \nPeter-Lucas Jones (Te Aupōuri\, Ngāi Takoto\, Ngāti Kahu) is the Chief Executive Officer of Te Hiku Media and an experienced governor in the Māori media eco-system. He is currently the Chair of Te Whakaruruhau o ngā Reo Irirangi Māori\, Deputy Chair of Māori Television and Chairman of Te Rūnanga Nui o Te Aupōuri\, and board member of Te Pūnaha Matatini\, a Centre of Research Excellence for Complex Systems. As a trusted kaitiaki of Māori data\, Peter-Lucas negotiates the responsibility of protecting iwi and Māori data while meeting the needs of funders and the expectations of iwi and hapū. Peter-Lucas has terrestrial and digital experience working with kaumātua and marae to record and provide access to te reo ā-iwi\, tikanga ā-iwi\, kōrero tuku iho and iwi history. This experience has seen the development of a Kaitiakitanga License for Te Hiku Media that provides a framework to guide the use of Māori data from a haukāingaperspective. \n  \nKeolu Fox Ph.D.\, Kānaka Maoli (Native Hawaiian) is an assistant professor at University of California\, San Diego\, affiliated with the Department of Anthropology\, the Global Health Program\, the Halıcıoğlu Data Science Institute\, the Climate Action Lab\, and the Indigenous Futures Lab. He holds a Ph.D. in Genome Sciences from the University of Washington\, Seattle (2016). Dr. Fox’s multi-disciplinary research interests include genome sequencing\, genome engineering\, computational biology\, evolutionary genetics\, paleogenetics\, and Indigenizing biomedical research. His primary research focuses on questions of functionalizing genomics\, testing theories of natural selection by editing genes and determining the functions of mutations. \nDr. Fox has published numerous articles on human genetics\, biomedicine\, ancient genomics\, and Indigenous data sovereignty\, most recently in the New England Journal of Medicine\, Nature\, and the Proceedings of the Royal Society B. \nDr. Fox is a recipient of grants from numerous organizations including the National Institutes of Health\, the National Science Foundation\, National Geographic\, the American Association for Physical Anthropology\, Emerson Collective\, the Social Science Research Council and the Massachusetts Institute of Technology\, SOLVE Initiative. \n  \n🗓: April 17\, 2025\n🕒: 5:30- 7 PM\n📍: Milieux Resource Room EV 11.705 \n🔗 : Zoom link \n🎟️ If you’re planning to attend this event in-person\, please make sure you RSVP by emailing: abint-activities@concordia.ca
URL:https://milieux.concordia.ca/event/epistemological-foundations-conversation-07/
LOCATION:Milieux Resource Room EV 11.705
CATEGORIES:Conversation
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250321T100000
DTEND;TZID=America/Toronto:20250321T113000
DTSTAMP:20260610T103643
CREATED:20250319T193721Z
LAST-MODIFIED:20250319T193721Z
UID:10001195-1742551200-1742556600@milieux.concordia.ca
SUMMARY:[Speculative Life Speaker Series]: Reading Joni Adamson & Marco Armiero
DESCRIPTION:As Speculative Life research cluster prepares for its upcoming lectures\, be sure to join the reading group this Friday\, March 21st! \nOn March 28\, Joni Adamson will give a talk about the role of climate fiction in shaping environmental discourse followed by Marco Armiero on March 31st who will introduce participants to the “Toxic Narrative Infrastructure”\, a framework which invisibilizes\, normalizes and naturalizes environmental injustices. \nDuring this session\, participants will be invited to read and discuss selected texts by both Joni Adamson and Marco Armiero: \nAdamson\, J. (2016). Networking Networks and Constellating New Practices in the Environmental Humanities. PMLA\, 131(2)\, 347–355. http://www.jstor.org/stable/26158816 \nArmiero\, M. (2021). The Case for the Wasteocene. Environmental History\, 26(3)\, 425-430. https://doi.org/10.1093/envhis/emab014.003 \n  \n🗓: March 21\, 2025 |10-11:30 PM\n📍: Speculative Life Room EV 10.625
URL:https://milieux.concordia.ca/event/speculative-life-speaker-series-reading-joni-adamson-marco-armiero/
LOCATION:Speculative Life Research Cluster  EV 10.625
CATEGORIES:Conversation
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250306T173000
DTEND;TZID=America/Toronto:20250306T190000
DTSTAMP:20260610T103643
CREATED:20250218T183617Z
LAST-MODIFIED:20250218T183638Z
UID:10001179-1741282200-1741287600@milieux.concordia.ca
SUMMARY:Epistemological Foundations Conversation 06
DESCRIPTION:Epistemological Foundations returns this Winter to continue the conversation around knowledge practices and their implications. EF06 will bring together Kari Noe\, Jason Leigh\, and Sara Diamond to reflect on their approaches to knowledge-making and elaborate on the implications of data visualization for community governance\, science communication\, and archiving. The session will be moderated by our co-director Hēmi Whaanga\, and hosted by Abundant Intelligences postdoctoral researcher Ceyda Yolgörmez. \nThe Epistemological Foundations Conversations feature members of the Abundant Intelligences research team sharing how the knowledge frameworks in their field are constructed\, validated\, and employed. This session will provide an opportunity to dive deeper into what it means to bring together Data Visualization to Indigenous Knowledges and AI. \nThis will be a hybrid event. \nABOUT THE SPEAKERS: \n  \nKari Noe is a PhD research assistant at Laboratory for Advanced Visualization and Applications (LAVA) at the University of Hawaiʻi at Mānoa\, and co-leads the emerging media lab\, Create(x)\, at the Academy of Creative Media at the University of Hawaiʻi at West Oʻahu. \nHer research includes: Human Computer Interaction\, Extended Reality Technologies\, and video game development for both serious and entertainment games. More specifically\, she is interested in the ways emerging media can support learning. As a mixed Kanaka ʻŌiwi (Native Hawaiian) scholar\, she focuses on projects that involve Hawaiian cultural heritage. \nHer research has been published in numerous conferences such as ACM CHI and ACM SIGGRAPH\, and her work has been featured in both local and international venues such as the Bishop Museum on Oʻahu or the Global Asia/Pacific Art Exchange (GAX) in Montreal. \n  \nJason Leigh is the Director of LAVA: the Laboratory for Advanced Visualization & applications\, Co-Director of the Hawaii Data Science Institute\, Director of Create(x) at University of Hawaii at West Oahu\, and Professor of Information & Computer Sciences at the University of Hawai‘i at Mānoa. \nHe is also Director Emeritus of the Electronic Visualization Lab and the Software Technologies Research Center at the University of Illinois at Chicago\, where he was previously Professor of Computer Science and Affiliated Professor of Communications. \nIn addition he was a Fellow of the Institute for Health Research and Policy at the University of Illinois at Chicago\, and has held research appointments at Argonne National Laboratory\, and the National Center for Supercomputing Applications. \nHis research expertise includes: Big data visualization; virtual reality; high performance networking; and video game design. \nHe is co-inventor of the CAVE2 Hybrid Reality Environment\, and SAGE: Scalable Amplified Group Environment software\, which is the most widely used platform for information-intensive collaboration. \nIn 2010 he initiated a new multi-disciplinary area of research called Human Augmentics – which refers to the study of technologies for expanding the capabilities and characteristics of humans. \nHis research has also received numerous press from News media including: the AP News\, New York Times\, Popular Science’s Future Of\, Nova ScienceNow\, NSF Science Now\, PBS\, and Forbes. \nLeigh also teaches classes in Software Design\, Virtual Reality\, Data Visualization and Video Game Design. In 2010 his video game design class enabled the University of Illinois at Chicago to be ranked among the top 50 video game programs in US and Canada. \nJason Leigh explores the intersections between big data visualization\, virtual reality\, and high-performance networked computing. A UH computer scientist\, he founded LAVA: Laboratory for Advanced Visualization and Applications and Create(x)\, a lab exploring how to harness advanced computational technology to advance Hawaiian cultural practices. He will contribute to harnessing ancestral knowledge-driven AI for immersive visualization. \n  \nDr. Sara Diamond\, President Emerita of OCAD University has led institutional transformation within arts\, digital media/ICT\, and post-secondary institutions for over 30 years. Diamond was President and Vice-Chancellor of OCAD University from 2005-2020\, leading its transformation to full university status. She was founding director of the Banff New Media Institute (1995 — 2005). As a historian\, media artist and computer scientist\, Diamond brings a deep interest in the relationships of human practices\, culture\, and technologies and a profound commitment to equity and Indigenous rights. She has been co-PI on major research networks such as Am-I-Able (wearable technologies and IoT) and the Centre for Information Visualization and Data Driven Design. She has undertaken NSERC\, SSHRC\, Ontario Research Excellent Fund\, Mitacs\, and foundation funded research in data analytics and visualization\, urban and transportation planning\, public art\, cultural analytics\, and wearable technology to support seniors’ wellbeing. Current funded scholarship includes acting as co-PI for the iCity2.0 project (ORF-E)\, applying AI tools such as generative design to complete community planning (ORF-E\, Mitacs); developing a Machine Learning qualitative analytics framework to understand the impact of screen media on audiences (Mitacs); creating mobile affective computing solutions to support mood analysis and mental health in the workplace (Mitacs); reassessing archives through visualization and metadata analysis (SSHRC)\, and ongoing considerations of human\, animal and machine agency. True to her early training as a social historian she continues to write about the history of media arts and technologies. \nRecognitions include the Order of Canada\, Order of Ontario\, Doctor of Science\, honoris causa\, Simon Fraser University\, 2020; the 2020 Exceptional Women of Excellence from the Women’s Economic Forum and two New Media “Pioneer” awards. She is a Senior Fellow at the University of Toronto’s Massey College and Adjunct Professor at University College Dublin and UCLA. Diamond acted as a reviewer for the 2021 mid-term CFREF assessments and for the NFREF competition. \nShe is co-chair of Toronto’s ArtworxTO\, the Year of Public Art and Toronto’s Nuit Blanche; is the chair for the Toronto Arts Foundation and of the new Baycrest Academy for Research and Education. Diamond is an Expert Panelist with the Canadian Centre for the Purpose of the Corporation and a Thought Leader with Lord Cultural Resources. \n(OC OO RCSA)\, President Emerita OCAD University\, has led collaborative efforts to strengthen equity and diversity and to support Indigenous cultures\, research\, and decolonization in the academy. She contributes expertise in data visualization and wearable technology\, research-creation methodologies\, and integration of Indigenous research methodologies into academic contexts. \n  \nCeyda Yolgormez is a Postdoc at the Indigenous Futures Research Cluster\, working in the Abundant Intelligences Research Program. Her PhD work brought together social theory and interactive technologies\, such as large machine learning models or social robots\, to consider how our conceptions of the social are changing. Her PhD dissertation proposes a framework for a sociology of machines that reimagines human-machine relations. Her research looks at playful and creative engagements with machines as a site to explore and experiment with human machine socialities\, and is interested in methodologies that reveal and trouble the common-sensical way in which we understand such relations. \n  \n  \n  \nDr. Hēmi Whaanga is a Professor and Head of Massey University’s School of Te Pūtahi-a-Toi – School of Māori Knowledge. He has worked as a project leader and researcher on a range of projects centred on the revitalization and protection of Māori language and knowledge (including Mātauranga Māori\, digitization of indigenous knowledge\, ICT and indigenous knowledge\, ethics\, traditional ecological knowledge\, language revitalisation\, Māori astronomy\, and linguistics). He affiliates to Ngāti Kahungunu through his father\, and Ngāi Tahu\, Ngāti Mamoe and Waitaha through his mother. \nProfessor Whaanga is recognized as a leading scholar researching the revitalization\, protection\, distribution\, and development of Māori knowledge and language\, and incorporating mixed-method approaches\, processes\, and technologies to analyze\, develop\, present\, and protect new and sacred knowledge in different linguistic\, cultural\, ethical\, and digital contexts. His leadership in Māori digital initiatives earned him an invitation from the Science for Technological Innovation National Science Challenge to lead and develop the conceptual framework for ‘Ātea’\, a multi-million-dollar spearhead project to conduct and share impactful research with experts in AI\, VR and AR\, NLP\, ML\, Indigenous and Māori data sovereignty\, and digital repositories \n  \n  \n🗓: March 6\, 2025\n🕒: 5:30- 7 PM\n📍: Milieux Resource Room EV 11.705 \n🔗 : Zoom link \n🎟️ If you’re planning to attend this event in-person\, please make sure you RSVP by emailing: abint-activities@concordia.ca
URL:https://milieux.concordia.ca/event/epistemological-foundations-conversation-2/
LOCATION:Milieux Resource Room EV 11.705
CATEGORIES:Conversation
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250220T170000
DTEND;TZID=America/Toronto:20250220T173000
DTSTAMP:20260610T103643
CREATED:20250207T175814Z
LAST-MODIFIED:20250213T230541Z
UID:10001173-1740070800-1740072600@milieux.concordia.ca
SUMMARY:[PANEL] Woven Stories
DESCRIPTION:The Textiles and Materiality Cluster at the Milieux Institute invites you to a 30-minute panel discussion and Q&A session exploring key themes from the National Gallery of Canada’s Woven Histories: Textiles and Modern Abstraction exhibition. Join PhD scholars Victoria MacBeath\, Geneviève Moisan\, Fernanda Suarez\, and Morris Fox for a captivating conversation that will touch on: \n\nTextiles as material\, technique\, and subject\nUsing textiles to address socio-political change\nTextiles as communal acts of care\n\nThis discussion will not only delve into these themes through the panelists’ creative research practices but will also serve as a lead-in to the Woven Futures: In Conversation panel\, which will take place later in the evening.\nThis second panel\, hosted at the National Gallery of Canada and live-broadcasted into our space\, will feature a Q&A where members will have the opportunity to ask questions first to panelists\, Dr. Miranda Smitheram\, Armando Perla\, and Michaëlle Sergile. \n  \nABOUT THE PANELISTS:\nVictoria MacBeath is a PhD candidate in the department of art history at Concordia University in Montréal\, Canada. Her SSHRC-funded doctoral research considers the intersections of care ethics and craft-making practices in 20th-century New Brunswick. In doing so\, it takes up questions of language politics\, settler and indigenous relations\, notions of folklore and heritage\, and the rural and urban divide. Her research interests include material culture\, craft\, Atlantic history\, gender and feminist studies\, and heritage.  \n  \n  \nGeneviève Moisan is a skilled Jacquard weaver with a strong technical background in textile construction\, printing\, and dyeing. As a PhD student in Art Education at Concordia University\, her research explores the transfer of textile knowledge in informal learning settings\, particularly in support groups for caregivers. She actively participates in diverse collaborative research projects\, including creating textile antennas for video communication\, Jacquard weaving\, soft circuit textiles\, and cultivating bacteria to develop sustainable fibre dyeing protocols. Genevieve works as an equipment support specialist at Milieux Institute for Arts\, Culture\, and Technology\, where she also teaches workshops on weaving and digital embroidery.   \nShe holds a BFA from UQAM\, an MFA in Fibres and Material Practices from Concordia University\, and a diploma in Higher Education Pedagogy. Since 2019\, she has been a part-time instructor in the Fibres and Material Practices program at Concordia University. Her work has been exhibited in various venues\, including the Centre d’action culturelle de la MRC de Papineau\, as well as in Montreal\, Toronto\, Venice\, Paris\, and Oaxaca\, Mexico.  \n  \nFernanda Suarez is a visual artist with an MA in Communication and Social Change and a BFA\, currently a PhD candidate in the  Interdisciplinary Humanities PhD student at Concordia University. Her artistic practice is transdisciplinary\, deploying a situated approach to drawing\, textile\, text\, and craft techniques to address issues of gender\, subjectivity\, and collaboration. With an interest in the material implications of textile production from a feminist decolonial approach\, her practice explores memory and knowledge. Environment and technique are central to her processes as open forms of knowledge that come into meaning through relations.   \nHer research-creation project explores the experience of weaving together with Nahua indigenous and Mestiza women in the Nahua community of Cuacuila\, located in the Sierra Norte de Puebla in Mexico. By working together\, they have learned and retaken almost extinct techniques in this territory. Although having a complex relationship influenced by colonial legacies\, learning and creating together has allowed us to recognize each other and forge different bonds.  \n  \nMorris Fox is a settler-Canadian interdisciplinary visual artist and poet whose work explores the hauntings of our ecological and socio-political atmospheres through a queer and gothic ecological lens. Fox integrates writing and ecological motifs into poetry\, chainmaille soft sculptures\, crafted queer ephemera\, and digital video\, asking what it means to make worlds and conditions of liveability\, as queer possibility\, within ecological end times?  \nBased in Tio’tia:ke/Mooniyang (Montréal)\, Morris is currently pursuing a PhD in the Interdisciplinary Humanities program at Concordia University. He has exhibited artworks and programmed workshops and talks internationally\, including Tio’tia:ke/Mooniyang (Montréal)\, Tkaronto (Toronto)\, where he grew up\, the United States and Iceland. His work has notably been featured in various exhibitions such as Spring Awaits (Wick Gallery\, Minneapolis\, 2025)\, Cruise-ading (Webster Library\, Montréal\, 2024)\, Sex Ecologies: Becoming Plastic (Stoveworks\, Chattanooga TS\, 2023)\, My Gay Mediaeval Times (Spacemaker ii\, Toronto\, 2022)\, and Vestiges and Remains (Artcite Inc.\, Windsor\, 2022). He holds a BFA (Concordia U\, 2010) and a Low Residency MFA (School of the Art Institute of Chicago\, 2018).  \n  \n  \n  \n📅: February 20\, 2025 | 5-5:30 PM \n📍: Milieux Learning Atelier EV 11.425 \nMore information about Woven Futures: In conversation \n  \n               \n 
URL:https://milieux.concordia.ca/event/panel-woven-stories/
LOCATION:Milieux Learning Atelier EV 11.425
CATEGORIES:Conversation
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20241120T173000
DTEND;TZID=America/Toronto:20241120T193000
DTSTAMP:20260610T103643
CREATED:20241031T191732Z
LAST-MODIFIED:20241031T191732Z
UID:10001146-1732123800-1732131000@milieux.concordia.ca
SUMMARY:[TAG Critical Watch Series] WarGames
DESCRIPTION:Join TAG on November 20th for the second session of the Critical Watch Series! This month we’ll watch WarGames. \n  \nThe TAG Critical Watch Series offers an opportunity to reflect on how video games are adapted and represented across film. The film screening will be followed by a short discussion and a podcast recording with select members of the audience. \nIf you would like to reserve a spot on the podcast for this month’s film ahead of time\, or if you would like to suggest films for future screenings\, please contact Marc Lajeunesse at tag.coordinator@concordia.ca \n  \n \n📅 November 20\, 2024 | 5:30-7:30 pm \n📍Screening Room EV. 10.525 \n📽️ WarGames (1983) \n🎟️ Seating is limited! Make sure you book your spot here! \n  \n 
URL:https://milieux.concordia.ca/event/tag-critical-watch-series-wargames/
LOCATION:Screening Room EV 10.525
CATEGORIES:Conversation,Screening
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2024/10/TAG-Critical-series-2-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20241107T170000
DTEND;TZID=America/Toronto:20241107T170000
DTSTAMP:20260610T103643
CREATED:20241024T172149Z
LAST-MODIFIED:20241031T151758Z
UID:10001144-1730998800-1730998800@milieux.concordia.ca
SUMMARY:Low-Quality in collaborative Ethnographic Filmmaking
DESCRIPTION:Join the Ethnography Lab for the 2nd screening of the season! This session will feature the screening of four short films by Jared Epp\, Leo Stillinger\, Melina Campos and Marie Lecuyer. \nThis event will explore an experimental modality of ethnographic filmmaking that anthropologist Jared Epp calls the ‘ethnographic B movie’\, a novel approach to collaborative multimodal research. This approach – which encourages unprofessionalism\, low quality\, absurdity and caprice – provides an opportunity to centre research contexts\, ontologies and epistemologies on the fringes or margins of conventional anthropological content\, thought and context. Through situating the approach within ideas of arts-based research or research-creation the ethnographic B movie becomes a way to take the process of filmmaking as ethnography for the sake of an open and co-imaginative world. In the ethnographic B movie as filmic approach and representational frame\, communicable meaning and narrative coherence are substituted for the spirit of co-creation\, and interlocutor-driven content (Epp\, 2023). \nMusic Sound Noise by Jared Epp\, 16min \nMusic Sound Noise is a cautionary tale on the endless entangling of information sharing\, social media\, meaning and daily life\, and as well\, a satire on the anthropologist as colonizer of knowledge.  \nDr. Carlos Popper\, a positivist ethnographer arrives in the neighbourhood of Parkdale\, Toronto\, to study the growing concern of people vanishing into total virtual reality (the film was shot during the summer of 2020). On his journey he encounters Mr. Noise\, who embodies the desire for the virtual and tries to lure Popper to join him. Representing the liminality between the virtual and physical\, Mr. Sound\, another resident of the neighbourhood\, tries to save Popper.  \nJared Epp is a PhD Candidate in social anthropology from Carleton University in Ottawa\, Canada. His research focuses on the intersection of place\, imagination and precarity in a Canadian urban context. He is currently based in Edmonton\, Canada\, finishing his dissertation and working as a community arts facilitator with individuals living unhoused and/or with a concurrence of mental health barriers and addictions \n  \nGrandmother by Melina Campos Ortiz\, Heather Dirckze and Charanpreet Khaira\, 6min \nIn presence of Melina Campos Ortiz \nGrandmother tells the story of migration through the faces that you might not associate with the anger and hatred that fuels British news and politics: the faces of Granny\, Naniji and Baba – three ordinary grandmothers. \nMelina Campos Ortiz is a PhD student in the department of Sociology and Anthropology at Concordia. She uses Feminist Science and Technology Studies to explore human-soil relations in organic farming in Quebec\, paying particular attention to Central American migrant workers’ experiences. She currently coordinates an SHRCC-funded project that seeks to strengthen the ties between ethnography labs in North America. \n  \nGwo Ging by Marie Lécuyer\, 25min \nGwo Ging (meaning « to transit through the border ») is an experiential ethnographic video that explores the perception of disappearance of the dead from the realm of the living in Hong Kong’S saturated archipelago. The pressure from urbanization along with new government policies promoting green and “oceanic” burials have been reconfiguring ways of caring for and re-membering the dead. Once immersed in water\, and without a stable resting place to call home\, the dead are removed from the « liquid ecology » that flows between the environment\, the deceased and their descendants by way of paper offerings\, simulacra of banknotes and gold or silver ingots. The film aims to offer a counter-gesture to the perception of disappearance of this spectral ecology by rendering visible the gestures by which undertakers take care of the dead through pyrotechnic rituals feeding a vital breath that animates the living and the dead alike. \nMarie Lecuyer is a postdoctoral fellow and the co-lead of the Critical Media Club in the department of anthropology at McGill University. Her doctoral thesis focused on the oceanic turn in funeral rites in the Hong Kong archipelago and explored the way in which an oceanic environment dissolves traces of past lives and reconfigures ways of commemorating the dead. At the crossroads between environmental anthropology\, death studies and media studies\, her research is interested in modes of infraperceptible presence and uses multisite and multimedia methods. Her current research focuses on ways of anticipating and remediating flooding phenomena in Hong Kong and Ottawa. \n  \nTrail Days by Leo Stillinger\, 15 min \nTrail Days is an ethnographic reverie depicting a festival of hikers in Damascus\, Virginia\, along the Appalachian Trail. The film was shot on GoPro and iPhone during fieldwork with thru-hikers on the Appalachian Trail\, which stretches more than 3\,500 kilometers from Georgia to Maine in the eastern United States. Those who attempt to hike the entire trail end up forming a sub-culture of their own\, hidden in the woods of the Appalachian mountains\, but emerging occasionally to produce a unique and dreamlike atmosphere in the small towns they pass through—most notably in the annual Trail Days festival in Damascus\, where every year in late May twenty thousand people\, hikers past and present\, descend on a town with a population of less than eight hundred. \nLeo Stillinger is a writer and filmmaker based in Montreal. His first film\, An Urban Wild\, was screened at the Festival International de Film Éthnographique de Quebec (FIFEQ) in 2023. He recently completed a Master’s in Anthropology at McGill University\, focusing on the experience of long-distance hikers on the Appalachian Trail. \n  \n: November 7\, 2024 | 5 PM \n: Screening Room EV 10.525 \n Register here to reserve your spot. Seats are limited.
URL:https://milieux.concordia.ca/event/low-quality-in-collaborative-ethnographic-filmmaking/
LOCATION:Screening Room EV 10.525
CATEGORIES:Conversation,Screening
ATTACH;FMTTYPE=image/png:https://milieux.concordia.ca/wp-content/uploads/2024/10/MusicSoundNoiseWebsite-1536x1036-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20241030T173000
DTEND;TZID=America/Toronto:20241030T193000
DTSTAMP:20260610T103643
CREATED:20241008T192153Z
LAST-MODIFIED:20241024T173305Z
UID:10001142-1730309400-1730316600@milieux.concordia.ca
SUMMARY:[TAG Critical Watch Series] The Super Mario Bros. Movie
DESCRIPTION:Join TAG on October 30th for TAG’s new Critical Watch Series! The first edition of the screening will feature The Super Mario Bros. Movie. \nThe TAG Critical Watch Series offers an opportunity to reflect on how video games are adapted and represented across film. The film screening will be followed by a short discussion and a podcast recording with select members of the audience. \nIf you would like to reserve a spot on the podcast for this month’s film ahead of time\, or if you would like to suggest films for future screenings\, please contact Marc Lajeunesse at tag.coordinator@concordia.ca \n  \n \n  \n📅 October 30\, 2024 | 5:30-7:30 pm \n📍Screening Room EV. 10.525 \n📽️ The Super Mario Bros. Movie (2023) \n🎟️ Seating is limited! Make sure you book your spot here! \n  \n 
URL:https://milieux.concordia.ca/event/tag-critical-watch-series-the-super-mario-bros-movie/
LOCATION:Screening Room EV 10.525
CATEGORIES:Conversation,Screening
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2024/10/TAG-Critical-series-2-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240918T173000
DTEND;TZID=America/Toronto:20240918T183000
DTSTAMP:20260610T103643
CREATED:20240911T132437Z
LAST-MODIFIED:20240911T134713Z
UID:10001128-1726680600-1726684200@milieux.concordia.ca
SUMMARY:Epistemological Foundations Conversation #5
DESCRIPTION:Save the date for the fifth Epistemological Foundations Conversation\, focusing on the theme of Research-Creation and AI. EF05 will bring together Archer Pechawis\, Scott Benesiinaabandan\, and Bryan Kuwada to reflect on their approaches to knowledge-making through research and creation. This Conversation will be moderated by Dr. Sara Diamond. \nABOUT THE EVENT: \nThe Epistemological Foundations Conversations feature members of the Abundant Intelligences research team sharing how the knowledge frameworks in their field are constructed\, validated\, and employed. This session will provide an opportunity to dive deeper into the intersection of Research-Creation and AI. \nIn the last 20 years\, research-creation methodologies have emerged and been increasingly recognized within the academic research community. That being said\, Indigenous Knowledge Systems have drawn on research-creation for millennia – and many artists from diverse cultures have long engaged in research as well as creation.\n\nAcademic interest into research-creation has opened the door to deeper and wider forms of knowledge exploration and sharing.  This has meant the institutionalization and expansion of research-creation PhDs and grants in the UK\, Australia\, Canada\, and some other territories. In some instances\, this was not necessarily out of a genuine commitment to these practices but to help institutions achieve their research funding allocation. While such contradictions are in the background\, our discussion will start out by defining what research-creation is for our panelists and will then move on to exploring the ways that they use research-creation to engage with AI.\nThis is a hybrid event. In-person attendance requires RSVP confirmation by email at abint-activities@concordia.ca. \nTo join the conversation online: Zoom link \n September 18\, 2024 | 5:30 p.m\nAgora Coeur des Sciences\, 175 Av. du Président-Kennedy\, Montreal
URL:https://milieux.concordia.ca/event/epistemological-foundations-conversation-5/
LOCATION:UQAM | Agora du coeur des sciences\, 175\, Av. du Président-Kennedy\, Montréal\, Quebec\, H2X3P2\, Canada
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2024/08/EF05-Banner-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240913T183000
DTEND;TZID=America/Toronto:20240913T183000
DTSTAMP:20260610T103643
CREATED:20240830T155854Z
LAST-MODIFIED:20240830T155950Z
UID:10001127-1726252200-1726252200@milieux.concordia.ca
SUMMARY:Re-Imagining Landscapes in Times of Ecological Crisis with Andrea Bordoli
DESCRIPTION:Film Screening: Re-Imagining Landscapes in Time of Ecological Crisis \n  \nJoin the Visual Methods Studio of the Concordia Ethnography Lab for the first screening of the year! This session will explore the intersections between anthropology and filmmaking through the screening of three short audiovisual works by Andrea Bordoli\, each of them proposing a formal and conceptual encounter with a specific territory.  \n By considering human-nonhuman entanglements\, by tracking flows and transformations of matter\, and by imagining speculative scenarios that blur past\, present and future tenses\, each of these films proposes a filmic encounter to “think with” and “think through” some key elements of the contemporary ecological crisis. \n  \nABOUT THE FILMS: \nThe Depth Beneath\, The Height Above (2018) is a 18-minute documentary film exploring the high alpine region of Robiei\, Southern Switzerland. Through a juxtaposition between the aesthetics and activities taking place above – the continuous stream of water\, the movement of animals\, the processes of production of cheese – and respectively below the ground level – the mechanisms and technologies involved in the hydroelectric production\, as well as the humans interacting with them –\, the film conveys a sensory ethnography of this peculiar landscape. \nDiVisi Di Pietra Memorie (2021) is a 9-minute docu-fiction essay that develops a poetic reflection around the issues of water exploitation and rock mining in the Swiss Alps. By juxtaposing contemporary images to archives\, and by proposing a storytelling mix of documentary and fictional elements\, the work is an invitation to engage with the geological and human memories that shape and haunt current extractive environments. \nPer Voi Oggi la Luce del Sol non Splenderà (2021) is a post-apocalyptic\, eco-fiction short film portrying two construction workers wandering in a “zone” where inner and outer territories intertwine. In a constant search for traces\, they are increasingly confronted with a universe that over days and nights becomes overwhelming.  \n  \nABOUT THE DIRECTOR: \nAndrea Bordoli has a background in Visual Anthropology (MA\, University of Manchester)\, Visual Arts – Cinema (HEAD – Genève)\, and Anthropology and Philosophy (BA\, Neuchâtel University). His research and practice lies at the intersection between anthropological theory\, film and visual art. He is currently based between Switzerland and Québec\, and he is pursuing a practice-led PhD in Media Anthropology at the University of Bern as part of the interdisciplinary project “Mediating the Ecological Imperative” (https://ecological-imperative.ch/). Since January 2022 he is a visiting artist-researcher at the anthropology department of McGill University.\nHis works have been presented in academic settings and exhibited in film festivals and art spaces nationally and internationally\, such as Cinéma du Réel Paris\, Festival dei Popoli Florence\, Vancouver International Film Festival\, Neuchâtel International Fantastic Film Festival\, European Media Arts Festival Osnabrück\, the Society for Visual Anthropology Film and Media Festival\, and others. \nIn parallel to his personal research he collaborated with various research groups and institutions such as EASA CH\, Université de Neuchâtel\, Université de Berne\, Locarno Film Festival and Cinémathèque Suisse. \n  \n📅: September 13 | 6:30 – 8:30 p.m \n📍: VA-114 Cinema \nNo registration\, no fee\, all are welcome!
URL:https://milieux.concordia.ca/event/screening-conversation-re-imagining-landscapes-in-times-of-ecological-crisis-with-andrea-bordoli/
LOCATION:Concordia University – VA-114 Cinema\, 1395 Blvd. René-Lévesque Ouest\, Montreal\, Quebec\, H3G 2M5\, Canada
CATEGORIES:Conversation,Screening
ATTACH;FMTTYPE=image/png:https://milieux.concordia.ca/wp-content/uploads/2024/08/Screen-Shot-2024-08-28-at-3.03.54-PM.png
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240710T150000
DTEND;TZID=America/Toronto:20240710T170000
DTSTAMP:20260610T103643
CREATED:20240614T155201Z
LAST-MODIFIED:20240614T155201Z
UID:10001124-1720623600-1720630800@milieux.concordia.ca
SUMMARY:Epistemological Foundations Conversation
DESCRIPTION:Save the date for the fourth Epistemological Foundations Conversation\, delving into the fusion of Neuroscience\, AI\, and Indigenous Knowledges. EF04 invites you to join Dr. Karim Jerbi (Université de Montréal)\, Dr. ‘Ōiwi Parker Jones (University of Oxford)\, and Dr. Melanie Cheung (Cheung Consultancy Ltd) as they share their perspectives on knowledge creation within this intersection. \nABOUT THE EVENT: \nThe Epistemological Foundations Conversations\, feature members of the Abundant Intelligences research team to explore the construction\, validation\, and utilization of knowledge frameworks within various fields. The conversations offer an in-depth exploration of the integration of Neuroscience\, AI\, and Indigenous Knowledges. \nThis is a hybrid event. In-person attendance requires RSVP confirmation by email at abint-coordinator@concordia.ca. \nTo join the conversation online: Zoom link  \n🗓️ July 10\, 2024\n📍Speculative Life Research Cluster\, EV 10.625
URL:https://milieux.concordia.ca/event/epistemological-foundations-conversation/
LOCATION:Speculative Life Research Cluster
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/png:https://milieux.concordia.ca/wp-content/uploads/2024/06/AbInt-EF04-Invitation.png
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240412T170000
DTEND;TZID=America/Toronto:20240412T190000
DTSTAMP:20260610T103643
CREATED:20240408T155336Z
LAST-MODIFIED:20240408T155336Z
UID:10001114-1712941200-1712948400@milieux.concordia.ca
SUMMARY:Performance as research - A conversation with André Lepecki and Lília Mestre
DESCRIPTION:Join us on April 12th\, 2024\, from 5-7 PM\, at the Speculative Life Cluster (EV 10.625)\, for conversation between Lília Mestre and André Lepecki hosted by LePARC. \nABOUT THE TALK: \nThis conversation will focus on the relationships between performance practice and academic research. Participants will be invited to discuss how performance-based actions shape alternative academic processes and outcomes\, offering insights into envisioning and crafting sustainable futures. \nProposed questions include: What is the range of practices and strategies that challenge prevalent norms of how artists and academics approach research? How do these other strategies relate to issues of collectivity\, embodiment\, and process? What kinds of practices of co-imagination are resisting authorial individuality as privileged figure of knowledge in the humanities and the arts? And how can performance as practice of research generate anticolonial\, inclusive\, multiverse\, and unpredictable material and immaterial manifestations of relationality? \nThe conversation will be based on an example of performance to encourage interactions. Participants are invited to read two texts prior the event to have a common departure point. \n\n📖 Chapman\, Owen and Kim Sawchuk. 2012. “Research-Creation: Intervention\, Analysis and “Family Resemblances”” Canadian Journal of Communication 37: 5-26 \n\n\n\n📖 Desideri\, Valentina\, and Denise Ferreira da Silva. 2022. “Another Image of Existence.” Performance Philosophy 7(1): 132-145 \n  \n\n\n\n \nABOUT THE SPEAKERS: \n\n\n\nAndré Lepecki works and researches at the intersection of critical dance studies\, curatorial practice\, performance theory\, contemporary dance\, and visual arts performance. He is a Professor and the chair of the Department of Performance Studies at Tisch School of the Arts at New York University. He has published widely and edited several anthologies. He has also curated numerous festivals and exhibitions including the award-winning re-staging of Allan Kaprow’s 18 Happenings in 6 Parts. In 2010 he co-curated the Archive on Dance and Visual Arts since the 1960s for the exhibition Move: Choreographing You at the Hayward Gallery\, London. He is the author of the books Exhausting Dance (2006) and Singularities: Dance in the Age of Performance (2016) and the editor\nof Dance (2013)\, Planes of Composition (with Jenn Joy\, 2009)\, The Senses in Performance (with Sally Banes\, 2007)\, and Of the Presence of the Body (2004). \nLília Mestre (she\, her) is a performing artist\, dramaturge and researcher working in collaborative formats mainly in the fields of contemporary dance and choreography. She is interested in forms of organisation created by and for artistic practice as alternative study processes for social-political reflection. She has been working on the concept of ‘artificial friendship’ which has been the source for the creation of methodological structures (scores) for exchange and collaboration in artistic research settings\, which have been documented in various publications. She was artistic coordinator of a.pass (Advanced Performance and Scenography Studies) in Brussels and is currently Assistant Professor at the Department of Contemporary Dance and Co-director of the Performing Arts Research Cluster (LePARC) within the MILIEUX Institute for Arts Culture and Technology at Concordia University. Tiohtià:ke/Montreal. She was granted the The Petro-Canada Young Innovator Award 2023 for her research on expanded choreography “Through Materialities\, Movement and Description”. \n  \n\n\n\n\n: April 12\, 2024 | 5-7 p.m \n: Speculative Life Research Cluster E.V 10.625
URL:https://milieux.concordia.ca/event/performance-as-research-a-conversation-with-andre-lepecki-and-lilia-mestre/
LOCATION:Speculative Life Research Cluster
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2024/04/Conversation-Andre-Lilia.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240412T110000
DTEND;TZID=America/Toronto:20240412T120000
DTSTAMP:20260610T103643
CREATED:20240327T150504Z
LAST-MODIFIED:20240328T141808Z
UID:10001107-1712919600-1712923200@milieux.concordia.ca
SUMMARY:A Montreal Game Studies Conversation with Dr. Carl Therrien and Dr. Darren Wershler
DESCRIPTION:On Friday\, April 12th\, TAG Research Cluster is organizing an engaging and candid conversation on game history and immersion within the context of Montreal Game Studies\, featuring Dr. Carl Therrien from Université de Montréal and Dr. Darren Wershler from Concordia University. This open and freeform discussion will delve into unconventional and exploratory approaches to researching and understanding video game history and immersion. Through these discussions\, reflections on the influence of the Montreal game research scene on work and within the broader field of game studies and associated fields will be explored\, examining the challenges and opportunities of past and future collaborations between local research groups in Montreal\, across linguistic\, institutional\, and cultural boundaries. \n  \nABOUT THE SPEAKERS:  \n \nCarl Therrien is a professor in games and film studies at the Université de Montréal. In The Media Snatcher (Platform studies\, MIT Press\, 2019)\, he proposes a critical view of videogame historiography through a comparative study of the PC Engine platform\, confronting American and Japanese perspectives of this technology. He has written numerous papers on immersion and on the history of popular genres (such as adventure games and first-person shooters). His research projects seek to integrate more video games into the canon\, hoping to assist archivists and historians in their efforts to engage with the diversity and complexity of this culture. \n  \n  \n  \nDarren Wershler specializes in media history and media archaeology\, with a particular interest in the material culture of analog and early digital technologies. His current research occurs at the Residual Media Depot (RMD)\, a research and teaching collection associated with the Media History Research Centre (MHRC) in the Milieux Institute at Concordia University. With Jussi Parikka and Lori Emerson\, he is the author of THE LAB BOOK: SITUATED PRACTICES IN MEDIA STUDIES (2021). \n  \n  \n  \n  \n  \n: April 12\, 2024 | 11 a.m \n: TAG Lab E.V 11.435 \n 
URL:https://milieux.concordia.ca/event/a-montreal-game-studies-conversation-with-dr-carl-therrien-and-dr-darren-wershler/
LOCATION:TAG Lab (EV 11.435)
CATEGORIES:Conversation
ATTACH;FMTTYPE=image/png:https://milieux.concordia.ca/wp-content/uploads/2024/03/Therrien_and_Wershler_-_April_12th_-_11am_-_English.png
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