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CREATED:20211103T040000Z
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SUMMARY:Writing Wednesdays
DESCRIPTION:Every Wednesday\, join LePARC members and beyond for their weekly Writing Wednesdays: \n\n\n\n“A focused three hours every week: write with people in the same boat as you and with a structure that includes stretching/dancing breaks. Bring whatever it is you need to do\, be it writing your thesis\, a literature review\, a proposal or application\, emails\, etc.” \n\n\n\nThe sessions are from 9:00 AM EST to 12:00 PM EST every Wednesday up until and including April 20th\, and are strictly on Zoom for the moment\, with the sessions moving into a hybrid structure following securing of safe spaces that abide by COVID-19 regulations. \n\n\n\nBenefit from the energy\, structure and support of the group for the creation and fruition of any and all projects\, texts\, and beyond! Please email leparcmilieux@gmail.com for the Zoom link.
URL:https://milieux.concordia.ca/event/writing-wednesdays/
CATEGORIES:Meeting
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DTSTART;VALUE=DATE:20220326
DTEND;VALUE=DATE:20220420
DTSTAMP:20260502T052150
CREATED:20220221T050000Z
LAST-MODIFIED:20221217T073801Z
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SUMMARY:Body Archeology Workshop: Ancestral Memory in the Context of (Im)migration
DESCRIPTION:Workshop and performance presentation by Tatiana KorolevaFrom March 26th to April 19th (bi-weekly meetings) \n\n\n\n>>>WORKSHOP IS NOW FULL<<< \n\n\n\nWednesdays and Saturdays\, 10:00 AM to 1:00 PM ESTIN PERSON at the Sense Lab — Concordia University (EV Building\, EV.10.785)CAPACITY: 12 People \n\n\n\nIn this workshop\, we will explore a variety of ways our genetic memory can be activated in the process of performance creation with the purpose of reviewing and connecting to the history of our ancestors. Focusing specifically on the experiences of migration\, immigration\, displacement and relocation as a part of global history\, the workshop proposes to activate the invisible link between our cultures of origin and our present moment. Opening the space for connecting to our roots while also acknowledging the hybridity of (im)migrant’s experiences and identities\, we will focus on creating individual and group projects to venerate our ancestral past and to give voices to the parts of our identities that often remain silenced in a new cultural context. Using the framework of ritual and a variety of performance art methodologies\, this workshop brings forward the concepts of empathetic presence\, collaboration\, dialogic witnessing\, and awareness of belonging to a larger community as fundamental principles of performance art creation. Our ultimate goal is to produce 15- to 30-minute long individual performances which will be presented in the spring of 2022. \n\n\n\nThis workshop is suitable for international students and faculty\, immigrants\, travellers\, and/or anyone interested in exploring ancestral memory and the multiplicity of ways it continuously affects our present. \n\n\n\nTo register\, please click the button on the left-hand column. Capacity is limited to 12 participants\, so don’t delay! \n\n\n\nTatiana Koroleva (born: Surgut\, Western Siberia) is a multi-disciplinary artist\, poet\, educator\, and researcher who works in the mediums of performance art\, video art and creative writing. A graduate of a Doctoral program in Humanities\, Concordia University (Montréal\, QC) and a lecturer at the Department of Studio Arts\, Concordia University\, Tatiana explores intersections of performance art\, art therapy and butoh practices. Her work is grounded in the subjects of ancestral and genetic memory\, migration\, intergenerational trauma and search for personal andcollective healing. Since 2006\, Koroleva has performed locally and internationally including her participation in Miami International Festival of Performance Art (FL\, USA)\, International Biennale of Performance Art DEFORMES (Santiago de Chile\, Chile)\, Sofia Underground Performance Art Festival (Sofia\, Bulgaria)\, Body Navigation International Dance Festival (Saint- Petersburg\, Russia) and Nuit Blanche Festival of Contemporary Art (Montréal\, Canada)\, among many others. Her most recent performances were presented at Queens Museum (NYC\, USA) and La Centrale Gallery Powerhouse (Montreal\, QC).
URL:https://milieux.concordia.ca/event/body-archeology-workshop-ancestral-memory-in-the-context-of-immigration/
CATEGORIES:Workshop
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DTSTART;TZID=America/Toronto:20220411T173000
DTEND;TZID=America/Toronto:20220411T194500
DTSTAMP:20260502T052150
CREATED:20220405T040000Z
LAST-MODIFIED:20221217T073859Z
UID:3328-1649698200-1649706300@milieux.concordia.ca
SUMMARY:Open Scores Workshop with Lo Bil
DESCRIPTION:In this Walk in LePARC workshop\, we will be finding ways to be together in our not knowing. Through short embodied prompts\, setting shared parameters and asking questions\, we will hold space for one another individually and collectively without having to use the specificity of language and without having to describe what we’re working on. It is less about looking\, and more about asking yourself: how does the energy in the space propel me into my own interests?  What is the effect of being in a co-working space that invites movement?  \n\n\n\nLatecomers will be admitted until 6pm\, that said\, the warm up will assist you in your travels. You don’t need to have a movement practice to join\, this is a cross-disciplinary proposal in which people are welcome to bring something they are working on\, whether a material project\, writing\, or music – although music might be best contained through headphones. Comfortable clothing is suggested but not necessary. Not bringing any materials\, questions or desires is also a great place to begin.   \n\n\n\nMasks and physical distancing will be maintained.  \n\n\n\nTo register\, write to leparc.milieux@gmail.com  \n\n\n\nlo bil (she-her) is a cross-disciplinary artist who creates experiments to generate intuitive felt research through moving-thinkings\, spontaneous utterance\, impulse-based scores\, object manipulation\, unexpected humour\, and inter-relational proposals with the audience. She has performed her work in Toronto\, Montreal\, Edmonton\, Chicago\, New York\, Mexico City\, Berlin\, Amsterdam and Glasgow; and at venues including: 7a*11d International Festival of Performance Art\, Harbourfront Centre\, Duration & Dialogue Performance Art Festival\, First Thursdays at AGO\, Luminato Online\, Nuit Blanche\, Flowchart at Dancemakers\, Summerworks\, Fringe and Rhubarb Performance Festivals.   \n\n\n\nIn 2022\, Lo received a Chalmers Award to expand performance methods with mentor Fiona Griffiths and was selected for a Studio 303 residency in Montreal to develop her participatory score\, COMPASS. Lo is the recipient of a Kathy Acker Award (2019) and FADO Performance Arts Centre Live Art Award at Summerworks Performance Festival (2016). Lo has taught Performance-Based art at Sheridan College and facilitated movement as a guest artist at Concordia and University of Toronto in both dance and visual art departments\, School of the Alternative in North Carolina\, Toronto Dance Community Love-in\, and is a certified yoga teacher with 20 years of practice. Lo is a mentor with Maxine Heppner’s Choreographic Marathon and an ongoing voice practice devotee in Fides Kruker’s studio.  
URL:https://milieux.concordia.ca/event/open-scores-workshop-with-lo-bil/
CATEGORIES:Performance,Workshop
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DTSTART;VALUE=DATE:20220421
DTEND;VALUE=DATE:20220504
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SUMMARY:In the Middle\, a Chimera | Warm-Up Segment
DESCRIPTION: \n\n\n\nIt is (once again!) with great enthusiasm that we introduce to you another segment/announcement/development for In the Middle\, a Chimera\, the Milieux Institute’s Year-End Exhibition and Symposium! This time we are announcing the official programming for the warm-up segment\, happening from April 21st to May 3rd. This segment encompasses three diverse\, incisive and vivifying events—a (double) book launch\, a work presentation and a (series of) performance(s). Read on to find out more— \n\n\n\n \n\n\n\n\n\n\n\n\n\nAPRIL 21: DOUBLE BOOK LAUNCH + ROUND TABLE DISCUSSIONArt in the Age of Machine Learning | Sofian Audry + Sensing Machines: How Sensors Shape Our Everyday Life | Chris SalterAnteism Books—435 Rue Beaubien Ouest\, #1003 PM EST \n\n\n\nJoin us for the kick-off warm up event (featured in Hexagram’s EMERGENCE/Y programming): the Chris Salter/Sofian Audry double book launch and round table discussion at Anteism! The event begins at 3 PM EST\, and artworks related to topics discussed will be installed in the exhibition space. You can access the Facebook event via the above image.Authors Christopher Salter and Sofian Audry will get together to discuss their recent publications\, respectively\, “Art in the Age of Machine Learning” (MIT Press\, 2021) and “Sensing machines: How sensors shape our everyday life” (MIT Press\, 2022). The live-streamed roundtable will be followed by a book launch and signature session. Both authors entangle art\, culture and social-cultural responses to technology. More info via the above image! \n\n\n\n \n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\nMilieuxMake Workshops PresentsLISTENING TO RADIO WAVES (CHAPTER 1)By Zeph Thibodeau \n\n\n\nDATE: Tuesday April 26th\, 1:00 – 4:00 PMLOCATION: MilieuxMake\, EV-10.825In this workshop\, we will be exploring the fascinating world of electromagnetic listening. Using AM radios we can listen to human radio broadcasts\, but we can also listen to the countless voices of the natural and built environment. Taking things a step further\, we can attach two radios to a pair of headphones\, constructing immersive radio-listening machines. Together\, we will make\, think and talk our way through the experience of connecting to the electromagnetic world in a different way. We will collaborate in recording the process and our findings\, which will form the basis for subsequent workshops. This is a do-it-together workshop—no technical expertise is necessary. Everyone is welcome to attend and to contribute in whatever way they can.Registration is required for this onsite workshop as spaces are limited. Please email marc.beaulieu@concordia.ca to register and include ‘Listening to Radio Waves’ in the subject line of your email. \n\n\n\n \n\n\n\n\n\n \n\n\n\n\nIsa Arriola\, Beyond the “Crossfire”: Refusing the Making of a Military Bombing Range in the Mariana Islands\n\n\n\n\nAPRIL 27: BEYOND THE CROSSFIRE | THERESA ARRIOLALive presentation of Beyond the “Crossfire”: Refusing the Making of a Military Bombing Range in the Mariana Islandsdaphne—5842 rue St Hubert6 PM EST \n\n\n\nProfessor Theresa Arriola will be presenting her project\, Beyond the “Crossfire“: Refusing the Making of a Military Bombing Range in the Mariana Islands\, on Wednesday\, April 27th at daphne at 6 PM. The presentation will take approximately one hour\, including a Q&A with the artist and researcher following the presentation. The work will be on view prior to and following the presentation. \n\n\n\nWhen militarization becomes commonplace\, how does one denaturalize this reality? As the hypermilitarization of Oceania continues to accelerate\, I want to offer alternative ways of imagining Indigenous futures that are not tied to the whims of military goals\, but privilege Indigenous sovereignty instead. One way to approach this task is through the hard work of denaturalizing what have become commonplace notions of territory and environment under U.S. imperialism and militarism. These imaginings work to unsettle the taken for granted ways in which the Marianas is framed by military planners in both its violent vocabulary and stagnant cartographic renderings of land\, water and air. \n\n\n\nTheresa “Isa” Arriola was born and raised on the island of Saipan in the Northern Mariana Islands. She earned her PhD from the University of California at Los Angeles in sociocultural anthropology. Her research focuses on the socio-political implications of contemporary militarization throughout the Marianas archipelago and Oceania more broadly. She is currently an assistant professor in the Sociology and Anthropology Department at Concordia University where she teaches about militarism\, Indigeneity and Oceania. \n\n\n\n \n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\nMAY 3: TATIANA KOROLEVA | BODY ARCHEOLOGY: ANCESTRAL MEMORY IN THE CONTEXT OF (IM)MIGRATIONPerformance presentation following Koroleva’s workshop by participating artists Anissa Boukili\, Danielle Douez\, Tricia Enns\, Somaye Farhan\, Goldjian/Anne Goldenberg\, Myro Le Ber Assiani\, Eliza Mcfarlane\, & c t pIntermedia/Cyberarts Video Production Studio—Concordia EV Building\, 1515 Saint-Catherine St W\, 6. 6356 PM EST \n\n\n\nTatiana Koroleva and the participating artists from the Body Archeology: Ancestral Memory in the Context of (Im)Migration workshop series welcome you for a presentation of their findings and developed projects. The presentation will take place at the Intermedia/Cyberarts Production Studio and will last approximately two hours. The following are the featured participating artists: \n\n\n\nAnissa Boukili El Hassani \n\n\n\nAnissa Boukili El Hassani draws on her experience as an immigrant\, perpetually torn between opposite cultures. Her artistic practice revolves around the notions of decolonization\, reappropriation\, self-criticism and repair. The plurality of identities and fragmentation are her main sources of inspiration\, hence her goal: the democratization of conceptual art through an intersectional perspective. Thus\, she seeks to combine the extremes to paint a picture of the complexity of the social\, economic\, cultural and historical relations existing within the capitalist system. \n\n\n\nDanielle Douez \n\n\n\nDanielle Douez (she/her) is a writer and creator based in Tiohtià:ke (Montréal) with Colombian\, African American\, and French ancestry. She loves projects that involve community building and transformative justice work\, and that explore migrations\, borders\, decolonization\, and beyond-human kinship. \n\n\n\nTricia Enns \n\n\n\nTricia Enns is a masters of design student at Concordia University who explores our relationship with public space through participatory\, sensory\, materially engaged methods. Her work challenges preconceived value hierarchies held within public space by engaging with debris and directing the senses towards the unheard narratives. Enns uses paper making\, illustration\, electronics\, performance\, photography\, audio walks\, and the postal system in her work. Sign-up at her website to have her send you a package in the mail! \n\n\n\nSomaye Farhan \n\n\n\nSomaye Farhan (born in Tehran\, Iran) is a multi-disciplinary artist is a multi-disciplinary artist who works in the mediums of performance art\, video art and sculpture. An undergraduate student of Studio Arts program\, Concordia University (Montréal). Farhan explores the theme of perception\, mind\, body\, identity\, nature and women. Most of her artworks are influenced by her two and a half journey on bicycle\, her meditation experiences\, and women. \n\n\n\nHer works are exhibited in the VAV Gallery and Art Matters Festival at Concordia University. \n\n\n\nanne goldenberg/goldjian \n\n\n\nGoldjian is a transdisciplinary artist interested in relational practices between human beings\, ecologies and technologies. Their work creates intimate spaces dedicated to mutual learning and slowing processes. goldjian embraces performance art\, media arts\, land art\, installation and video dance. They facilitate collaborative\, collective and restorative practices. They were born in fRance from rural french and romanian jewish ancestors and crossed the ocean in 2004 to grow roots on an island traditionally named Tiohtia:ke and colonially known as Montreal. To connect to this world\, goldjian practices reliance\, to oneself\, to spaces\, to other human beings and non-humans\, and questions the conditions needed to activate this quality of presence. \n\n\n\nMyro Le Ber Assiani \n\n\n\nQueer and non-binary artist\, Myro Le Ber Assiani lives on the unceded territory of Tiohtiá:ke / Mooniyang / Montreal. They graduated with the B.A. in Theatre Studies from UQÀM and has been refining their practice in workshops. As a daredevil bush performer\, Myro Le Ber Assiani is interested in risk and transformation as engines of existence and resistance. Their approach is site specific and reflects collective space as a political ecosystem where structuring boundaries lead them to rethink notions of “power\,” “trauma\,” and “consent.” Their work has been presented in solo and collaborative performances at various festivals and venues:  Dare-Dare\, Fonderie Darling\, Ancienne École des Beaux-Arts\, Théâtre des Écuries\, Festival d’arts performatifs de Trois-Rivières\, Festival La plage des Six pompes (Switzerland) and Festival Chalon dans la rue (France). Their work has been distributed by La Serre and Vidéographe in Canada\, the United States and Europe. \n\n\n\nEliza McFarlane \n\n\n\nEliza McFarlane is a multidisciplinary artist born and raised in Toronto\, ON. She is currently completing her BFA in Studio Arts at Concordia University. Her current focus is in print making and performance art. She also is active as a vocalist\, organizing and participating community music events in Montreal. Since 2017\, Eliza has lived and worked in Montreal QC. She roots her work and life in economic\, environmental\, and community sustainability. She plans to continue centering community solidarity\, creative experimentation\, emotional resilience\, and interconnectivity in her life and work. Eliza’s instagram account acts as her website at present – It is fitting for the hybridity of private and public life. For the indecisive value of daily\, mundane\, or minute existence\, vs\, isolated\, intentional\, artwork.” \n\n\n\nc t p  \n\n\n\nchantal t paris · my doctoral research-creation project (études et pratiques des arts\, uqam) pulses in the relations between listenings\, situated knowledges and changing climates\, through different moving explorations and within a more than human sympoietic perspective. \n\n\n\nMask wearing for attendees is required\, and we will observe social distancing measures to the best of our ability. \n\n\n\nON THE WORKSHOP: \n\n\n\nIn this workshop\, we will explore a variety of ways our genetic memory can be activated in the process of performance creation with the purpose of reviewing and connecting to the history of our ancestors. Focusing specifically on the experiences of migration\, immigration\, displacement and relocation as a part of global history\, the workshop proposes to activate the invisible link between our cultures of origin and our present moment. Opening the space for connecting to our roots while also acknowledging the hybridity of (im)migrant’s experiences and identities\, we will focus on creating individual and group projects to venerate our ancestral past and to give voices to the parts of our identities that often remain silenced in a new cultural context. Using the framework of ritual and a variety of performance art methodologies\, this workshop brings forward the concepts of empathetic presence\, collaboration\, dialogic witnessing\, and awareness of belonging to a larger community as fundamental principles of performance art creation. This workshop is suitable for international students and faculty\, immigrants\, travellers\, and/or anyone interested in exploring ancestral memory and the multiplicity of ways it continuously affects our present.  \n\n\n\nThe workshop is organised and facilitated by Tatiana Koroleva\, a multi-disciplinary artist\, poet\, educator\, and researcher who works in the mediums of performance art\, video art and creative writing. Currently\, Tatiana teaches at the Department of Studio Arts\, Concordia University (Montreal\, QC). Her work is grounded in the subjects of ancestral memory\, migration\, intergenerational trauma and search for personal and collective healing. 
URL:https://milieux.concordia.ca/event/in-the-middle-a-chimera-warm-up-segment/
CATEGORIES:Conference / Festival
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220422
DTEND;VALUE=DATE:20220614
DTSTAMP:20260502T052150
CREATED:20220412T040000Z
LAST-MODIFIED:20221217T073909Z
UID:3332-1650585600-1655164799@milieux.concordia.ca
SUMMARY:Inertia: Speculative Fossils Exhibition
DESCRIPTION: \n\n\n\nFrom April 22 to June 13\, 2022Planétarium Rio Tinto Alcan de Montréal4801 Pierre-De Coubertin Avenue \n\n\n\nGuillaume Pascale and the research group led by Alice Jarry (Concordia University): Brice Ammar-Khodja\, Jacqueline Beaumont\, Asa Perlman and Philippe Vandal\, in collaboration with Ariane Plante. With the participation of Jean Dubois (UQAM). \n\n\n\nA speculative work that crosses the disappearance of the Earth in the eye of the Voyager probes with the atmospheric and ecological situation in the east of Montreal. \n\n\n\n \n\n\n\n1977. The two Voyager probes are launched into space to study the planets in our Solar System. Symbolically\, each one carries a gold-plated copper disk bearing a message intended to represent humanity. It contains images\, music and drawings meant for a hypothetical intelligent extra-terrestrial life form. \n\n\n\nInertia revisits this approach on Earth using artifacts created to reflect today’s environmental challenges — they’re made of biomaterials\, that is\, renewable organic plant or animal matter. The work centres around a bioplastic disk that displays a binary representation of a daytime air quality status near petrochemical plants east of Montreal. This becomes the score for the first piece of music in a sequence of four composed using these data as well as the calculated distance of the Voyager probes from our planet. A series of laser-engraved biomaterial membranes and a film bear witness to this process\, which suggests that in the same way that Earth is disappearing from the eye of the Voyager probes\, the living conditions of the planet’s inhabitants are becoming increasingly precarious. \n\n\n\n \n\n\n\n\n\n\n\n\n\n \n\n\n\nApril 22\, 2022\, from 1:00 PM to 4:00 PMDebris\, space\, and meaning around the exhibition ‘Inertia: Speculative Fossils’ — The waste cycle of planetary vision infrastructuresDemos + Round Table \n\n\n\nAs Voyager’s scientific instruments are gradually being shut down due to a lack of available electrical energy\, this public activity organized within the context of Earth Day 2022 proposes\, from a vertical perspective\, to compare the issues related to space debris with those generated by our ways of life on Earth. Drawing on engagement in their practice with residual\, geo-inspired\, reactive\, intelligent or sustainable materials\, the invited artists\, designers\, media theorists and scientists will take an interdisciplinary look at how these artifacts allow us to envision new scenarios and relationships for the waste – material and technological – produced on Earth\, but also left adrift in space. \n\n\n\nThe event is free and will be hosted in both French and English. \n\n\n\nDemos 1:00 PM to 2:30 PMRound Table 2:30 PM to 4:00 PMFor participants\, please consult the Planétarium’s website here. \n\n\n\n \n\n\n\nApril 28\, 2022\, 6 PMInertia Exhibition Vernissage + Performance \n\n\n\nGuillaume Pascale will offer a sound performance\, improvising in real-time with the distance between the Voyager probes and the Earth. \n\n\n\n 
URL:https://milieux.concordia.ca/event/inertia-speculative-fossils-exhibition/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://milieux.concordia.ca/wp-content/uploads/2022/04/Screen-Shot-2022-04-12-at-1.42.18-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220426T130000
DTEND;TZID=America/Toronto:20220426T160000
DTSTAMP:20260502T052150
CREATED:20220414T040000Z
LAST-MODIFIED:20240208T165021Z
UID:3334-1650978000-1650988800@milieux.concordia.ca
SUMMARY:MilieuxMake Workshop: Listening to Radio Waves (I) with Zeph Thibodeau
DESCRIPTION:MilieuxMake Workshops PresentsLISTENING TO RADIO WAVES (CHAPTER 1)Part of the In the Middle\, a Chimera Warm-Up ProgrammingBy Zeph Thibodeau \n\n\n\nDATE: Tuesday April 26th\, 1:00 – 4:00 PMLOCATION: MilieuxMake\, EV-10.825In this workshop\, we will be exploring the fascinating world of electromagnetic listening. Using AM radios we can listen to human radio broadcasts\, but we can also listen to the countless voices of the natural and built environment. Taking things a step further\, we can attach two radios to a pair of headphones\, constructing immersive radio-listening machines. Together\, we will make\, think and talk our way through the experience of connecting to the electromagnetic world in a different way. We will collaborate in recording the process and our findings\, which will form the basis for subsequent workshops. This is a do-it-together workshop—no technical expertise is necessary. Everyone is welcome to attend and to contribute in whatever way they can.Registration is required for this onsite workshop as spaces are limited. Please email marc.beaulieu@concordia.ca to register and include ‘Listening to Radio Waves’ in the subject line of your email.
URL:https://milieux.concordia.ca/event/milieuxmake-workshop-listening-to-radio-waves-i-with-zeph-thibodeau/
CATEGORIES:Workshop
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END:VEVENT
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