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DTSTART;TZID=America/Toronto:20240315T183000
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DTSTAMP:20260606T164754
CREATED:20240227T011214Z
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UID:10001099-1710527400-1710534600@milieux.concordia.ca
SUMMARY:Film Screening: Evicted City by Laurence Turcotte-Fraser & Priscillia Piccoli +Q&A (co-presented by the Concordia Ethnography Lab + with the McGill Critical Media Club)
DESCRIPTION:The Concordia Ethnography Lab has once again teamed up with McGill’s Critical Media Club\, this time to host Laurence Turcotte-Fraser & Priscillia Piccoli who will present their powerful film Evicted City (2023). The screening and talk is happening March 15th\, 2024 at 6:30 pm at the VA-114 Cinema of Concordia. Free! No registration! All are invited! \nAbout the film: Montreal — one of the few remaining affordable cities in North America — is now in the midst of an unprecedented housing crisis. An intimate portrait of socio-political resistance\, this multilayered film explores the human impact of real estate speculation on the cities of tomorrow.\n \nAbout the directors: Laurence Turcotte-Fraser is an emerging filmmaker first known for her short film Domino (Regards 2018)\, as well as her director of photography work (L’étrange province\, Les Jaunes\, Blast Beat). Her first feature-length documentary\, The End of Wonderland (2021)\, was released theatrically in Canada and travelled internationally (IDFA\, RIDM\, OUTFEST LA\, BFI FLARE). This eccentric portrait of erotic artist Tara Emory allowed her to explore her love for direct cinema and to find a human approach both in front of and behind the camera. With her second feature film Evicted City\, co-directed with Priscillia Piccoli\, she continues her documentary artistic approach by scrutinizing the housing crisis in her home city\, Montreal. \nPriscillia Piccoli is an emerging filmmaker known for her short film Mathieu (Bell Fund Prize\, Fantasia International Film Festival) and her short documentary As Hard As Ice (Prix d’Unis TV et Réalisatrices Équitables at the 2020 Regions Race). Committed to direct cinema\, Priscillia uses the 7th art to find the silver lining in social-political dilemmas. During the first year of the pandemic\, while training as a social worker in a homeless day center\, she questioned the storm to come in her hometown\, Montreal. With her first feature film Evicted City\, co-directed with Laurence Turcotte-Fraser\, Priscillia launches a cry from the heart by granting the right to speak to the evicted people of a metropolis in full change. \nThis event is supported by the Concordia Ethnography Lab’s Visual Methods Studio (VMS) and the McGill Critical Media Club.
URL:https://milieux.concordia.ca/event/film-screening-evicted-city-by-laurence-turcotte-fraser-priscillia-piccoli-qa-co-presented-by-the-concordia-ethnography-lab-with-the-mcgill-critical-media-club/
LOCATION:Concordia University – VA-114 Cinema\, 1395 Blvd. René-Lévesque Ouest\, Montreal\, Quebec\, H3G 2M5\, Canada
CATEGORIES:Screening
ATTACH;FMTTYPE=image/jpeg:https://milieux.concordia.ca/wp-content/uploads/2024/02/MA-CITE-EVINCEE_Photo-film_02_Credit-Fraser-Films-F3M-scaled.jpeg
ORGANIZER;CN="Concordia Ethnography Lab":MAILTO:ethnographylab@concordia.ca
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DTSTART;TZID=America/Toronto:20240209T183000
DTEND;TZID=America/Toronto:20240209T203000
DTSTAMP:20260606T164754
CREATED:20240119T190835Z
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UID:10001089-1707503400-1707510600@milieux.concordia.ca
SUMMARY:Film Screening: Meezan (Scale) by Shahab Mihandoust + Q&A (presented by the Concordia Ethnography Lab)
DESCRIPTION:The first Concordia Ethnography Lab film night of the semester is coming up on February 9th\, 2024\, at 6:30 pm\, this time at the VA-114 Cinema. We will be screening Meezan (2023) by Shahab Mihandoust followed by a Q&A with the director. Free! No registration! All are invited! \n \nSet in south-western Iran\, in the province of Khuzestan and bordering with Iraq\, Meezan (Scale) is an observational and immersive experience\, a journey from the sea to the land\, about labor at the margins of petro-capitalism in three chapters. \nDeparting from the shore of Abadan\, the first oil company-town in the Middle East\, it follows a group of Arab fisherman who exemplify the realities of maintaining intergenerational ways of living and working on the sea. The men lead us to Bahrakan harbor where they barter for their share of the catch. What is contemporaneously a meeting place for fishmongering was a site of arduous migration for refugees fleeing Abadan after the mass destruction of the Iran-Iraq war in 1980’s. Meezan concludes in a secluded shrimp processing plant on the outskirts of Abadan where women who are shuttled in from surrounding villages furiously peel and devein shrimps in their own race for wages. \nDespite the massive industrialization of the region\, waterways of Khuzestan remain a significant source of income for the native communities who are most intimately connected to these embattled landscapes\, and Meezan is a reflection on the relation between bodies and scales to acknowledge the weight of the past and its consequences in the present.  \nShahab was born and raised in Tehran before he moved to Tio’tia:ke/Montreal in 2004. Inspired by ethnographic approaches to research and creation\, his documentary practice stands at the intersection between cinema and anthropology\, and his work often approaches the entanglement of identity and labor in everyday life practices; and as they relate to natural and built environments to understand the impacts of social\, cultural and political processes on people and places.
URL:https://milieux.concordia.ca/event/film-screening-meezan-scale/
LOCATION:Concordia University – VA-114 Cinema\, 1395 Blvd. René-Lévesque Ouest\, Montreal\, Quebec\, H3G 2M5\, Canada
CATEGORIES:Screening
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ORGANIZER;CN="Concordia Ethnography Lab":MAILTO:ethnographylab@concordia.ca
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