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SUMMARY:Living Room Revolutions: Black Women Collecting and Selecting Records in the 1960s and '70s
DESCRIPTION:The Media History Research Centre is hosting its first talk of the year as part of the Media History Seminar Series with a presentation by Jennifer Lynn Stoever. \n  \nABOUT THE TALK: \nQuiet as it’s been kept by music media and academia\, from its start Hip Hop was never solely or even predominantly a masculine art. For so many of hip hop’s originators in 1970s New York City\, it was the women in their lives who loved music\, collected vinyl records\, selected music to play at home and at house parties\, and taught their children how to listen widely across genres and deeply into the new musical worlds being spun around them. Through the revolutions of their living room turntables\, Bronx women used vinyl records as a form of sonic archiving\, worldmaking\, and radical mothering in the 1970s\, bringing revolutionary selves into being along with life-sustaining visions of Black and Brown-centered worlds for their children. The way they curated\, played\, and talked about music in everyday life taught their children to hear cultural connections and family history within the grooves of vinyl records; without question this deeply impacted hip hop’s emergence as a DJ art. In turn\, Black women left a still-audible material imprint on the sound itself: samples from their records have been used and re-used in hip hop songs\, a traceable sonic lineage. \n  \nABOUT THE SPEAKER: \n Jennifer Lynn Stoever is Associate Professor of English at Binghamton University and founding Editor-in-Chief of Sounding Out! She is author of The Sonic Color Line: Race and the Cultural Politics of Listening (NYU Press\, 2016).  She has published in Social Text\, Social Identities\, Sound Effects\, Modernist Cultures\, American Quarterly\, and Radical History Review among others\, including Oxford Handbooks in both Sound Art and Hip Hop Studies.  Stoever’s  book-in-progress\, Living Room Revolutions: Black and Latinx Women Collecting and Selecting Records in the 1960s and 1970s\, is supported by National Endowment for the Humanities and Howard Foundation fellowships. \n  \n  \n  \n  \n \nMedia History Research Centre is an interdisciplinary research centre engaging with the historical development of media change and communication. The centre focuses on nascent\, yet robust subfields such as media archaeology\, variantology\, new materialism\, circulation theory\, and technology writing. Through their research projects and publications\, MHRC members have been celebrated for their innovative studies of many aspects of media history. \n  \n  January 22\, 2026 \n 4 -6 PM \nEV 2.776 \n🎟️ Reserve your spot
URL:https://milieux.concordia.ca/event/living-room-revolutions-black-women-collecting-and-selecting-records-in-the-1960s-and-70s/
LOCATION:EV 2.776
CATEGORIES:Talk
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DTSTART;TZID=America/Toronto:20240925T163000
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SUMMARY:An introduction to "Voter_Machine_World" with Fenwick McKelvey
DESCRIPTION:Join the Media History Cluster for the first talk of a series of public talks and discussion on recent media history. On September 26\, Fenwick McKelvey will discuss his forthcoming book “Voter_Machine_World” (under contract with MIT Press). \n  \nABOUT THE EVENT: \nVoter_Machine_World explores America’s long history to solve political problems with computers. Focusing on the early intersection of domestic and world politics\, the book offers a genealogy of political machines\, ways to imagine technologies to model\, simulate and effect political systems as if they were computer systems. The rich history draws from archival research and interviews to follow efforts to build voter and world machines for the early 1960s to the early 1990s – a period that helps us ask the critical questions to understand the new political machines being built today with AI and big data. In this informal presentation\, McKelvey will introduce the project in its final stages. \nABOUT THE SPEAKER: \nFenwick McKelvey is an Associate Professor in Information and Communication Technology Policy in the Department of Communication Studies at Concordia University. He is co-director of the Applied AI Institute and leads Machine Agencies at the Milieux Institute. He studies digital politics and policy. He is the author of Internet Daemons: Digital Communications Possessed (University of Minnesota Press\, 2018) winner of the 2019 Gertrude J. Robinson Book Award. He is co-author of The Permanent Campaign: New Media\, New Politics (Peter Lang\, 2012) with Greg Elmer and Ganaele Langlois. \n  \n  \n  \n  \n📅 September 25\, 2024 \n📍EV 2.776 \n🔗 Register here for the event
URL:https://milieux.concordia.ca/event/an-introduction-to-voter_machine_world-with-fenwick-mckelvey/
LOCATION:EV 2.776
CATEGORIES:Talk
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